Okay, I’ve never been one of those hardcore Gaiman fanboys* that you see following him with blind, whole-body, fervor on twitter but I sure do have a whole lot of respect and admiration for what he’s accomplished in his life – and mine. Beginning with The Sandman series oh so long ago, Gaiman seems unable to be unsuccessful at whatever it is he does. Googlify his name and you will find that he has won so many major awards, some of them more than once, that if my mom had seen my face screw up in shock and awe after first seeing the significantly long list she would have warned me immediately that if I keep making that face someday it’s gonna stay that way.
Point being: the dude is pretty awesome.
And we can add one more awesome point to his long list of awesome points: Recently I downloaded the audiobook version of his short fiction collection Trigger Warning: Short Fictions and Disturbances to one of my favoritest apps, Overdrive. And of course I find that the book is read by none other than The Man himself. And of course I find that I’ll be both god and buddha damned if he also isn’t one of the best god and buddha damned “voice performers” I have ever heard. Sheesh – what a wonderful voice he has to listen to.
I mention all of this more than slightly awkward author/guy crush worship thing of mine only because I too am now in the audiobook recording business. For, as I have mentioned here before, I am trying (key word: trying) to record a “performance” of my novel The Sea Trials of an Unfortunate Sailor.
It is very hard, this recording stuff – you know, with the intimidating microphones, and the confusing software, and with the dogs constantly barking in the background…
But the hardest part of all is coming to the realization that I don’t have the greatest of reading voices, especially since the book is narrated from the point of view of an insecure eighteen-year-old whom I would have to guess came late to the puberty game. So me trying to read in a voice that might pass as even barely authentic to the story has been both very hilarious when hearing it during playback and even more discouraging.
So far I have managed to record an introduction to the book, as well as all the novel’s front matter whatnots that include the dedication and acknowledgment (and which have been uploaded to my app). But those I was able to read in my own voice, which may not be the most pleasant to listen to but at least I don’t have to contort my diaphragm around my voice box in order to speak with it.
So yeah, I’m still working on finding (rediscovering?) that insecure eighteen-year-old voice of mine…
It’s a tough gig, but I shan’t give up for I have a sure-fire strategy for voice recording accomplishment and success:
Each time I run into a rough spot while recording I’ll simply stop, take a deep breath, look upward to the sky in humility and veneration and ask to the Literary Gods On High…
Jesus Neil do?