THE REVENANT: It’s Really Good (for a laugh)

THE REVENANT
FILM | MOVIE | STUDIO | DRAMA
RATING: ★ ★ ★ ★

Since I didn’t know off the top of my head what the word “revenant” meant, I had thought, in the spirit of Shakespeare, it was a word created specifically for Art’s sake by combining the words revenge and covenant. Seeing the movie (and the squiggly red idiot line under the word when I type it) only reinforced this belief, because “The Revenant” is a grand, intense, soul-searching, cinematographic dream-scape of movie “inspired” by a book of the same name that was “inspired” by a legend which was more than likely “inspired” by a kernel of truth of the life of a mountain man named Hugh Glass, a contemporary of Grizzly Adams, may he rest in peace (both the real one who died long ago and, more importantly to those of my generation, to Dan Haggerty, the actor who portrayed him and who died recently) and Jedediah Smith (no, Robert Redford played Jeremiah Johnson, not Smith), which is about a father committed to his last breath regardless the odds or obstacles to exact revenge for the murder of his son.
 


 

In simplistic terms, it’s really, really good. It deserves all the Oscars nominations it has received, especially for Best Picture, Best Director (Iñárritu), Best Supporting Actor (Hardy), and Best Actor (DiCaprio).

As is typical with any film he is in, Tom Hardy stole the show. In my view, he just may be the best working actor there is right now. He out-acted DiCaprio, who is a pretty good actor in his own right – not great, but pretty good. But it doesn’t really matter as far as awards go seeing that they are up for different ones. But even if they were up for Best Actor, DiCaprio should still win it over Hardy, and all the others I’ve seen, for the overwhelming effort he invested and physical hardship and pain he endured for this role. His performance and commitment to his trade are remarkable.

As far as the logistics and filming of the movie, I do not know how Iñárritu did it. The movie is so big and so remote with so many moving parts – Mother Nature notwithstanding – I simply don’t know how they put it all together so seamlessly and beautifully, and breathtakingly so. I’m sure it will win for Best Cinematography.

I already said the movie is about a father’s commitment to exacting revenge for his son’s murder. And it is. But, unfortunately for Glass, the father, he has to fulfill this sad covenant that he makes with himself, his dead son, and his impartial god, after having just about the worst day, week, and however long his revenge exacting takes that one man can ever have.

I mean, this dude just gets keep getting creamed.

I mean, there are bears and “savages” and broken bones and infection and starvation and the frigid, merciless elements…

It’s like… Dude!

I mean, Death just keeps so relentlessly and rabidly on his ass that it finally became comical to me… and the guy sitting next to me.

Remember the movie “Monty Python and the Holy Grail?” Each time another near-death tragedy happened to Glass and his near-death tragic soul, I couldn’t help repeating in my mind that famous and funny line from the movie:

It’s just a flesh wound.

I whispered this to the guy next to me and we ended up giggling like two kids each successive time Death pick Glass up and pile-drived his head back into the mat.

Which brings me back to the word “revenant” and its meaning. Come to find out it isn’t a made-up word after all. It means, “a person who has returned, especially from the dead.”

There couldn’t be a more fitting word for this movie. In fact, it could be called The Revenant To The Nth Power, Glass returns from the dead so many times.

There are more things about the movie I could make fun with… like pointing out a cliché or two – yes, of course Glass gets all Luke Skywalker on us when he guts his horse (that had recently just fallen over a cliff with him – he survives; the horse doesn’t) and crawls inside it to stay warm during the night – but I’ll stop with the merrymaking.

But it doesn’t matter, the movie is good enough, and grand enough, that it can handle a bit of criticism from yours truly.

Out of all the movies nominated for Best Picture, I’ve only seen this, “Mad Max,” and “The Martian.” Out of those three, all of which I like very much, “The Revenant” is my pick to win.

If you haven’t seen it, you should.
 


Based upon the novel by Michael Punke

 
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Rating System:
★ = Unwatchable
★ ★ = Poor Movie
★ ★ ★ = Average Movie
★ ★ ★ ★ = Outstanding Movie
★ ★ ★ ★ ★ = Exceptional Movie

 
 

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