Midsommar Review

So, I’m reblogging this Midsommar movie review by Michael Van Zanten (cool name) for two reasons…

The first reason is because it is a very will-written and informative review for a movie that I am very interested in seeing.

The second reason is because Michael, the author of the review, regards the director Ari Aster as an “auteur” — high praise indeed — and I wonder, can a director who has released only two feature films, with the second only being just released and still yet mostly unseen by the general movie going public, be deserving of such high praise as auteur?

My instincts tell me no, that two movies aren’t enough to put him up there with the likes of the greats such as Wells, Kubrick, Bigelow, Lee, Hitchcock, Kurosawa and others who truly were/are the auteurs – the authors – of the movies they created.

But to me a director is not deserving of the honor just for having such an influence on his or her own movies. To me, he or she must have such an influence on the entire industry.

But that’s just my opinion and what do I know? I’m just an old guy probably a bit too suspicious of the present and far too overprotective of the past…

But seriously, go ahead and check out this review of Michael’s I’m reblogging here and all the other reviews of his. He has a great site.

Film Sentinel

midsommar4.0.jpgHorror has a new name, and that name is Ari Aster. After possessing the minds of Sundance-goers with his unsettling directorial debut Hereditary in 2018, the auteur’s breakout hit enjoyed a wide release under A24 and turned out to be the most profitable release ever under the label. Now only one year later, A24 is banking on the director once again to disturb viewers with Midsommar, Aster’s horrific follow-up centered on a Swedish Pagan death cult. Midsommar definitely isn’t for everyone, but it’s a magnificent and refined piece of distressing cinema, and further evidence the genre has a new king.

Unleashed to unsuspecting theater patrons in June of last year, Hereditary shunned popular horror conventions in favor of scares that were more psychological in nature. While there were still instances of common genre tropes such as Ouija boards and demonic possession, they were present in a script that was…

View original post 1,012 more words

Advertisements

SAY IT LIKE YOU MEAN IT

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s