Midsommar Review

So, I’m reblogging this Midsommar movie review by Michael Van Zanten (cool name) for two reasons…

The first reason is because it is a very will-written and informative review for a movie that I am very interested in seeing.

The second reason is because Michael, the author of the review, regards the director Ari Aster as an “auteur” — high praise indeed — and I wonder, can a director who has released only two feature films, with the second only being just released and still yet mostly unseen by the general movie going public, be deserving of such high praise as auteur?

My instincts tell me no, that two movies aren’t enough to put him up there with the likes of the greats such as Wells, Kubrick, Bigelow, Lee, Hitchcock, Kurosawa and others who truly were/are the auteurs – the authors – of the movies they created.

But to me a director is not deserving of the honor just for having such an influence on his or her own movies. To me, he or she must have such an influence on the entire industry.

But that’s just my opinion and what do I know? I’m just an old guy probably a bit too suspicious of the present and far too overprotective of the past…

But seriously, go ahead and check out this review of Michael’s I’m reblogging here and all the other reviews of his. He has a great site.

Film Sentinel

midsommar4.0.jpgHorror has a new name, and that name is Ari Aster. After possessing the minds of Sundance-goers with his unsettling directorial debut Hereditary in 2018, the auteur’s breakout hit enjoyed a wide release under A24 and turned out to be the most profitable release ever under the label. Now only one year later, A24 is banking on the director once again to disturb viewers with Midsommar, Aster’s horrific follow-up centered on a Swedish Pagan death cult. Midsommar definitely isn’t for everyone, but it’s a magnificent and refined piece of distressing cinema, and further evidence the genre has a new king.

Unleashed to unsuspecting theater patrons in June of last year, Hereditary shunned popular horror conventions in favor of scares that were more psychological in nature. While there were still instances of common genre tropes such as Ouija boards and demonic possession, they were present in a script that was…

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Born to Be… #EasyRider50

I was a month and seventeen days shy of my fourth birthday when Easy Rider premiered fifty years ago yesterday, so, unfortunately, I cannot provide any personal insight of the actual groundbreaking event.

In fact, it would be another twenty years or so until I finally saw the flick.

And then another thirty years or so would pass until I at last watched it again…

Which brings us to yesterday when I watched it in honor of its golden anniversary.

But it’s not like I’m a fanboy of the flick or anything…

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LEAVE is live on Amazon Prime!

Well, after a long, sometimes arduous, journey beginning way back in the summer of 2015, my vessel of a short film LEAVE – based upon my short story of the same name – has found its homeport at Amazon Prime and is now available to be viewed for free by all… provided you are either a U.S. or U.K. Prime subscriber. If not, then it will cost you a mere buck/pound or two to watch it.

Continue reading “LEAVE is live on Amazon Prime!”