Star Wars is Dune sans the Duneness

In other words, when making an adaption of the Dune novel, take away all that makes it extraordinarily epic, such as its brutal take on toxic capitalism and its detrimental effect on cultures and climates, not to mention its more nuanced take on the dangers of cult of personalities slash hero worship, among other critical subplots, and you end up mostly with a Diet Dune a la a George Lucas Star Wars Trilogy.

for educational purposes only😉

Now, I’m not saying that Lucas’ Star Wars isn’t wasn’t epic, because it certainly was to this former 1977 twelve-year-old, but what I am saying is that I have to agree with what Denis Villeneuve said during a recent interview in Madrid while out on global tour pimping Dune II out to international Academy Award voters in hopes of snagging an Oscar nomination from them.

Q. There was a generation that grew up with Star Wars as something more than a simple cultural reference, and to this another followed perhaps that did the same with The Lord of the Rings. Will Dune be able to do the same?

A. It would be very pretentious of me to try to compare myself to those two cultural icons. The potential lies in the novel itself. It is a mythological story that has been extended over countless novels. In fact, I would dare to say that Star Wars is nothing more than an interesting adaptation of Dune. I think George Lucas should admit it. (My emphasis)

Denis Villeneuve: “Star Wars is nothing more than an interesting adaptation of Dune. I think George Lucas should admit it”, El Mundo, November 27, 2024

A lot of folks felt slash feel that way, especially Dune’s author Frank Herbert, as thoroughly discussed in and evidenced by Polygon’s in-depth article.

To fans of Dune, especially of Dune the novel, this debate is nothing new, obviously since Herbert led the charge upon the release of Star Wars.

But for those of you new to the debate, I could list here all the ways that Star Wars is, if not Dune-adapted, then at the least Dune-inspired, such as the easy ones like The Force, Luke, use The Force versus the Voice of the Ben Gesserit, or the similarities between Princess Leia and Princess Alia, but there are many, many nerdy articles out there that can identify them better than me. And the Nerdist has one of them.

Before we just dismiss this so-called debate as nothing more than a nerdy scifi Inside Baseball spat, we need to consider the legacies. George Lucas is a gazillionaire with a name that even non-scifi nerds all throughout the globe probably already know, or at least are familiar with.

I feel comfortable guessing that on the same global scale of non-scifi nerds the name Frank Herbert barely even registers, and that Herbert’s estate is nowhere close to being worth the gazillions that Lucas is.

Anyway… as an aside, Villeneuve’s Dune I was epic, not as epic as the first Star Wars obviously because that set the precedent for epic scifi films, but epic in a fresh and creative way nonetheless.

His Dune II, however, is highly forgetable to me. Literally, it was so boring I snoozed through most of it so I don’t really have a clue what it was about or how it compares to the novel. I guess I need to screen it again to see if it has the same lullaby effect as the first viewing.

I guess we’ll have to wait and see if Villeneuve was on his hustle enough to get the votes for an Oscar nomination for it. If not, then my initial take is probably right and it would be a waste of time to watch it again.


While you’re here, why don’t you pop on over to Amazon and snag one of my books today. They are all free until midnight tonight (PST), including my latest release, Sorrow.

An aging white male forsakes humanity, changes his name to Sorrow, and begins identifying as an it, just as its white son learns his Black girlfriend is pregnant, and you begin a murderous rampage targeting interracial couples just like them...

The book’s always better than the movie…

Right?

That’s the rule, right?

Books rule over movies.

Always.

Before I got involved with this whole short film thing, I always would get indignant after watching yet another failed movie adaptation of a book I liked. And I would always wonder to myself why in the heck could they never get it write/right.

Until on a whim I decided to try my hand at adapting my short story LEAVE into a screenplay.

Right away I realized that this was going to be no easy feat.

Introspection and contemplation that serve a short story or a novel so well is basically useless in a screenplay where just about everything must be represented as action and dialogue so it can be seen and heard by the audience.

Of course LEAVE as a short story is mostly introspection and contemplation by the protagonist so right off the bat the whole structure would have to change in order to be able to show his shift of character from beginning to end.

To do this, new scenes had to be invented and new characters had to be developed and within the first writing of the story of LEAVE as a screenplay, it was already hugely different from the story of LEAVE the short story. And that was only by my own efforts.

After I showed it to an actor friend for his feedback, from his guidance it went from 33 pages down to fifteen. And yes, to whittle it down that much there had to be a significant change in story and tempo.

But really, the biggest changes to the story didn’t occur until once the screenplay was accepted by a studio and a director was found and she got ahold of it… and then several of the lead actors got ahold of it…

Talk about feedback overload. It took much effort and persuasion to maintain it as a story I recognized.

And, while we are scheduled to begin filming in two months, we haven’t yet cast the lead actor so I can only wonder what changes still might occur to it.

But you know what… the story as it is now as a near fully developed screenplay is really not that far from what it is as a short story.

It is just different.

And much, much better in my opinion.

Still, I guarantee it if you read the short story and then see the film, you will be significantly surprised by the differences that there are between the two.

I just hope you are not significantly disappointed.

But I can pretty much guarantee that you won’t be because we have an awesome crew and the cast is going to be first rate and impressive.

And I can also guarantee that from now on whenever I watch a movie that has been poorly adapted from a book that I like I will certainly be less critical and more understanding of the differences between the two and the winding and somewhat weary course that had to be traveled to get the story to the screen.

Because now I know.

And now I have only one rule regarding movies and books.

Both of them do.

Rule, that is…

 


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