Even though I grew up a comic book nerd, I’m pretty much over all the Marvel/DC Comics superhero movies. I used to watch them religiously at the movie theater – because if one must watch a big budgeted bloated bonanza of bombastic visual proportions, then it must be watched while on the big screen – however, I’m trying very hard to wean myself off of them. Key word: trying.
Despite the fact that I know without a doubt I’m going to be hugely disappointed at the movie’s end, I still find it hard to resist them. For instance, the buzz around the Black Panther movie is phenomenal so chances are pretty good I’ll make the trek to my local Frank’s Theatre and hope for the best… while still expecting the worst.
Fortunately, thanks to the likes of HBO, Netflix, Amazon Prime, and the… like, the superhero genre has not been left behind during this amazing renaissance of television we’re happily going through.
As for there being any good content on broadcast television, I wouldn’t know. I haven’t watched anything on any of the broadcast channels, other than sports, since Happy Days went off the air… what has it been? a year or two ago?
Except for one broadcast show, that is.
I am off on a hardcore wide-eyed binge on that show, which should tell you that I don’t actually watch it when it’s broadcasted on Fox. No way. Never again will I be a slave to a network time slot.
I watch Gotham as any discerning 21st Century viewer would, at my leisure on that amazing little channel of an app called Netflix.
With all its dark, demented, hyper-violence, let me tell ya… Gotham is good. Real good. It actually feels like a comic book has been brought to life, making it exactly what a discerning 21st Century television viewer like yours truly wants…
Anyway, onward to the point of this overly prolific post…
I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat. ― Rebecca West
What gives, yo?
I mean, life’s a bitch and all but come on Gen Xers, don’t let all that depressing music from the Nineties go to your head…
Or your heart.
I tell ya, last year we lost such notable Gen Xers as Chester Bennington and Chris Cornell*** and, before them, Scott Weiland a couple years ago, not to mention all those Gen Xer stars we lost early in their prime: Kurt Cobain, Tupac, Biggie, Layne Staley, Shannon Hoon, Bradley Nowell, and god knows how many others I’ve failed to mention.
And now this year we continue the tragic Gen X endings with the tragic death of Dolores O’Riordan.
By the time my generation gets in its natural zone of death, it seems all the stars from it will be long gone with no big names left for me to pay tribute.
But, as is evident by Delores’ recent passing, it’s painfully obvious the premature dying off of famous Gen Xers will continue unabated and I sincerely would like to pay a heartfelt tribute to the life of Dolores, for hers was a unique and beautiful voice that defined my generation*.
From her official website:
Debbie Evans, veteran of hundreds of motion-picture, television, and commercial stunts has been featured in numerous publications such as the LA Times, Reader’s Digest, Glamour Magazine, Cycle World, Dirtbike, and on television shows like Montel, ESPN, Winning Women, and Entertainment Tonight.
Debbie was inducted October 2003 into the AMA Motorcycle Hall of Fame. She has been awarded for her work on Taxi in 2005, The Matrix Reloaded in 2004 Taurus World Stunt Awards in the category “Best Overall Stunt by a Stuntwoman,” previously winning two Taurus awards in 2002 for driving a Honda Civic under a moving semi-truck in The Fast and the Furious…. [MORE]
With the help of Michelle Rodriguez, one of the stars of the Fast & Furious franchise, stunt driver Debbie Evans was challenged to take on the wild, icy landscape of the Yukon in Canada. VIA CARSCOOPS.COM