SORROW, a novel by Kurt Brindley

So here we are the day after such an historic election, one full of hope for some and angst for others, and it is my pleasure to present to you my new novel Sorrow.



I believe I mentioned here in the past that I completed a novel in the summer of 2023, and that I was determined to get it published in a traditional manner. Well, after a year-and-a-half of the manuscript being rejected — and by being rejected I mean mostly being ignored — by over a dozen publishers, it is time for me to face the reality that the only way this novel will get published is independently by yours truly.

Since I am seeking your help in getting the word out about Sorrow, particularly by you reading a free advanced copy of the book and posting your review of it at all the usual places, I should probably make you aware of the potential elements of the tale that may cause concern to some.

Let’s not call them “trigger warnings” because that term in itself is quite triggering to many; let’s instead call these concerning elements of the tale simply “noted concerns.”


SORROW’S NOTED CONCERNS

  • Behavioral health concerns
  • Suicidal ideations concerns
  • Abortion concerns
  • Homelessness concerns
  • Homicidal concerns
  • Gun violence concerns
  • Police brutality concerns
  • Racism concerns
  • Identity concerns
  • Pronoun concerns
  • Sexual content concerns
  • Brief nudity concerns
  • Vulgar language concerns
  • Religious cult concerns
  • Alcoholism concerns
  • Smoking, both tobacco and marijuana, concerns
  • Pandemic masking concerns
  • Fully developed Black, Hispanic, and white female characters created by an old white male concerns

I think that about covers the concerning elements of the tale, with some elements, of course, being more concerning than others. At least now you have some idea of what to expect of the story’s content. If it were a movie it would definitely have a solid “R” rating.

I guess I should point out that there are also some magical realism and meta-fictional elements involved in the tale. Perhaps, depending on your literary sensitivities, they too should be included in the noted concerns section, lol.

Anyway…

What is the crux of Sorrow?

Let me give you a full synopsis of it (or is it summary? I always get the two confused):


SORROW by Kurt Brindley

Harold Thorson Sterner, Sr., who had come to be known as Hank, an aging white male no longer able to bear the downward spiraling, troubled state of the world, has decided to end his relationship with it, the world, and all that it entails: all humanity and its entire “civilized” existence, his name, his family, his profession, all his responsibilities, everything, even, perhaps, his conscious mind.

To ensure his new relationship with the world is clear and properly regarded by others, he legally changes his name from Harold Thorson Sterner, Sr., to Sorrow and begins identifying, not as a man, or even as a human for that matter, but simply as a being, an it.

He, or rather, it, has made this what turns out to be rather ironic decision to forsake humanity just as its white aspiring author son learns his Black aspiring business executive girlfriend is pregnant, and you, an aspiring serial killer, begin a murderous rampage targeting interracial couples just like them out in sunny Los Angeles.

Sorrow, up until now a semi-celebrated author who had moved recently to sunny Los Angeles to adapt its former self’s successful novels into screenplays, attempts to explain its decision to forsake the world it in a letter to its estranged wife Evelyn, who now lives separated and carefree from her disillusioned husband in Miami, enjoying life with her young Cuban boytoy Alejo.

The letter, more a missive really, prompts Sorrow’s son, who is already in the midst of his own crisis due to his girlfriend’s unexpected pregnancy, to trek out to LA in hope of finding his odd father and providing him the care that he needs. His girlfriend, distraught at her boyfriend’s untimely departure, soon follows him out there. Together in LA, the troubled couple has unwittingly placed themselves at risk of your violent wrath.

And so, as the story unfolds and Sorrow slowly morphs into what? a Christ-like figure? a mad bodhisattva? just another behavioral health breakdown victim littering the streets of LA?, and as whatever it morphs into somehow draws to it other disillusioned souls who begin worshipping it, and as three of its original acolytes, a self-identified indigent and two hippies, are able to magically fly – one by spinning his long, matted hair like helicopter rotor blades and the others by vigorously flapping large palm fronds typically reserved for their worship of Sorrow – and use these skills to fight evil forces on behalf of Sorrow, and as all but one of the story’s narrators mysteriously, suspiciously, disappear, and even as the body count from your murderous rampage steadily grows around it…

Sorrow does not respond.


Okay, maybe that was a bit TMI, but, simply put, what we have here with Sorrow is a very contemporary tale with all of society’s, especially American society’s, tragedy and drama, hopes and dreams.

If you are interested in reading and reviewing Sorrow, and I hope you are, please email me at hank@kurtbrindley.com and I’ll shoot you a copy post haste, as I hope to have the story published on Amazon soon.

Or you can just leave a comment here if you prefer and we can take it from there.

Yeah…

#sorrowistheway

Sunday Songs to Spark the Spirit and Summon the Moves of the Dance

You probably know that Steve Earle is a world-renowned folk/country/crossover singer-songwriter…

And maybe you know that he is also an actor, having appeared on The Wire, Treme, and other productions, his characters mostly mirroring his life as a musician, as in Treme, or as a recovering heroin addict, as in The Wire.

But did you know he is also an author?

And a damn fine one at that?

Yeah…

Dude’s def got it going on, I must say. Obviously, I’m a big fan.

His book I’ll Never Get Out of this World Alive is named after a Hank William’s song. I listened to the audiobook version, of which Earle performed. It’s great. The main character is a down-and-out, disgraced doctor, and an addict, who angelically performs illegal medical services for the locals of his unruly hood, particularly for the at-risk sex workers. It is a sad, touching, funny, magical, hallucinatory/ghostly tale (Hank Williams plays a critical role… or at least his ghost/Doc’s hallucination of him does) of which I highly recommend.

Anyway, have a listen of this little ditty of Earle’s from when he was a much younger human, and tap a toe or two while you’re at it…


The Graduate by Charles Webb – A Review

BOOK | FICTION | LITERARY
THE GRADUATE by Charles Webb
RATING: ★ ★ ★ ★

When The Graduate, a book published in 1963 by recently deceased author Charles Webb, popped up as a Kindle Unlimited recommendation the other day, I thought to myself, why not? I mean, shouldn’t every fan of the movie version, a film which “is often ranked among the greatest, most quoted and talked about of all time,” feel obligated to read the source from which the film’s greatness was spawned?

The answer, of course, is yes.

So I read the book obligingly – it’s a fast read as the book weighs in at a slim 224 pages – and upon reflection, I didn’t realize it from the movie version, but The Graduate is essentially a continuation of The Catcher in the Rye. In other words, we essentially witness Holden Caulfield’s post-collegiate angst as channeled through Benjamin Braddock.

In the movie version Dustin Hoffman’s Braddock, as excellent and memorable as it is, comes across to me as more neurotic and whiney than angry and angsty as the character is portrayed in the novel. As I’m not a practicing psychologist, please don’t ask me to differentiate between the two as per the DSM-5 or whatever version the shrinks are now working off of.

However, as examples, when I, the layman psychologist that I am, think of neurotic-y (whiney) type actors in the vein of Hoffman’s Braddock, I easily think of Woody Allen (obviously), Owen Wilson, and Jesse Eisenberg.

However (once again), coming up with angsty type actors in the vein of Webb’s Braddock, that’s a little harder for me to pull off – Kristen Stewart and Robert Pattison both come to mind (probably can blame it on Twilight), and perhaps Zack Braff. Of course on the extreme end of the angsty scale we have Christian Bale, whose several angsty roles often seem to teeter on the precipice of sanity.

Anyway, that’s my impression of the novel. So I give it a four-star, not so much for its literary achievements (because, honestly, it’s not that well-written (Just about everything is described as perfectly this or that; and for some reason, just about every character seems to have a hearing problem as they keep having to ask What? after something is said to them. Quite annoying; however, we see a similar case of the What’s in The Catcher in the Rye as well, so… take that for what it’s worth.)). But for a book written by a twenty-four-year old that becomes the foundation for such an important movie, hey, I can afford to grade on a curve and give it an extra star.

Incidentally, it’s interesting to me that both J.D. Salinger and Charles Webb were so disillusioned with society that one became a famous grouchy recluse and the other donated his book proceeds to charity and lived a chosen life of poverty.

How ’bout that?

RAINY SEASON – A Review by Whispering Stories

Review excerpt:

A jazz club in Tokyo, mysterious men in black suits, money owed, and bones are broken. Yes, just the perfect storyline for a noir title. Brindley writes settings and atmosphere so well. You are taken there and planted as you read. Whether it’s a crowded street corner, hospital waiting room, or local ramen diner, you will feel your surroundings.

JennaScribbles of Whispering Stories


Read the complete four-star review at Whispering Stories:

WHISPERINGSTORIES.COM

RAINY SEASON – A Review by Rose Auburn

Review excerpt:

I read Rainy Season in one day. Not because it’s a fairly short novel (175 pages) but because I simply could not put it down. It is not a poorly-written imitation of a Noir Romance, it is a Noir Romance. The opening was absolutely spot-on for the genre; sublime, stylised, descriptive and cynical. All the scenes played through your mind in shades of grey and black with the permanent tattoo of the rain which, in so many ways, is another character.

Rose Auburn, Writing & Reviews

Read the complete five-star review at Rose’s website:

ROSEAUBURN.COM

WE ALL DIE IN THE END by Elizabeth Merry – A Review

BOOK | FICTION | SHORT STORIES
WE ALL DIE IN THE END by Elizabeth Merry
RATING: ★ ★ ★ ★

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If Joyce, Faulkner, and Kafka were to collaborate…

The result would be Elizabeth Merry’s We All Die in the End.

Merry’s is some of the best writing I’ve read in a while. Like Faulkner, she creates a fictional world unto its own, Faulkner’s set as a struggling Mississippi town, Merry’s as a struggling seaside town in Ireland, both populated with struggling characters with thick dialects common to their region.

However, regarding dialect, where Faulkner reveals his characters’ through heavy (and at times disruptive) word alteration and accent marks, Merry reveals her characters’ distinctive brogue (seemingly) effortlessly and without hardly a notice through beautiful setting descriptions and strategic use of words uncommon to those not of her world.

The effect of her writing to me is powerful…

And surreal…

Kafkaesque.

Merry’s nineteen interwoven stories, or scenes as identified in the book, often misled me into letting my guard down – getting me lost in the cold ocean spray or in the delectable odors stewing from the stove or in the broguish din of the local pub – lulling me into thinking all’s well (how could it not be in such a quaint little town with waves pounding the shore like a mesmerizing lullaby) until it slowly dawns upon me that all is not well in Merry’s little corner of the world. In fact, not until it’s too late do I realize that just about everything beneath the quaint veneer she has laid for us is in fact quite dark and bleak, and at times… quite deadly.

We All Die in the End has left me with a haunting literary hangover.

And for that, I am grateful…

For, as rare as it is, it is that exact aftereffect I yearn for in every book I read.


EMBOOKSTUFF.WORDPRESS.COM

A GATHERING OF BUTTERFLIES by Sean C. Wright – A Review

BOOK | FICTION | SHORT STORIES
A GATHERING OF BUTTERFLIES by Sean C. Wright
RATING: ★ ★ ★ ★


Tales of steely but vulnerable women of color will melt your heart while lifting your spirits…

A fierce grandmother keeps her grandson from the clutches of Old Scratch in Devil Does Dallas.

An alien abduction transforms a large, miserable woman in Hazel Hogan.

A country girl meets a city girl on her birthday, and struggles to decide if the girl’s heart is dark or light in Bubble Bath Twelve.

And methodical Genie forms an unlikely relationship in Heaven’s Halfway House while in a coma.

Book Description from Amazon

I am in wholehearted concurrence with Amazon reviewer Neferet when they opine that “[Author Sean C. Wright’s GATHERING OF BUTTERFLIES] is a nice collection of interesting and clever short stories….”

Nice, indeed.

And I feel nicer as a human being for having read this diminutive collection of pithy and powerful (a redundancy I know, but one worth repeating) folksy parables; and I could tell without a doubt from reading them that the author herself is nice…

Really nice.

I just wish there had been more nice stories to appreciate — there are only four and the collection as a whole weighs in at just over a hundred pages.

Three of the stories are good, written light and fast with limited (but enough) character and setting development as one would expect to find in such folksy parables and morality tales.

However, one of the stories — Bubble Bath Twelve — is exceptional. I got so very and happily lost within that wonderful, beautiful tale and I regretted it when finally finding myself at its end. It compares easily with the best of anything William Faulkner has written, if the boozy, self-hating grouch were to have written such nice, lighthearted stories that didn’t stress the reader out with their unrelenting and migraine-inducing dialect.

Yeah, the story’s that good.

Outside of expanding this fine collection with more stories, I would recommend the author consider a more professional book cover. Personal preference, perhaps, but I think such fine writing deserves something a little better than its present adornment.

So, fantastic work by Ms. Wright, work that I highly recommend. I also recommend checking out her website. While it’s a little confusing to navigate, there the determined reader can find a treasure trove of her equally fun and interesting flash fiction, which, if you recall, is how all who gather here first became acquainted with her fine work.

SEANARCHY.WORDPRESS.COM

THE GOOD KILL – A Review by Cathy Geha

I’d like to thank Ms. Cathy Geha of Cathy’s World for her review of The Good Kill. Cathy had, fortunately for me, come across the book at NetGalley.

Her’s is the forth review I’ve received from the site, which is pretty cool. It’s been downloaded from there over 50 times so hopefully we’ll see more than a few more as a time goes on. Fingers crossed.

Help me show my appreciation for Cathy’s review, and all the other many reviews she has prepared for us, by visiting her site and spending some time there with her.

CATHYGEHA.TUMBLR.COM