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Rainy Season, AI-Imagined

I’ve always wanted to write and illustrate a graphic novel.

But that would be a lot of work.

Too much for someone as uninspired and unartistic as yours truly.

So I figured why not give one of the AI machines a shot at illustrating some of my writing since they seem to be all the rage lately…

Which also seems to be making all the human artists rage lately as well.

But hey, if you can’t beat ’em might as well join ’em, right?

I mean, hey, better take advantage of the tech now before it takes complete advantage of us as our AI Overlords, right?

Right?

Rich from Rainy Season as imagined by Mindjourney

Anyway, I fed some of the characteristics of Rich and Miko, the two main characters of my novel Rainy Season, into the AI engine Midjourney, and this is a little taste of what it came up with…

Miko of Rainy Season as imagined by Mindjourny

I must say, I’m pretty impressed. Just the vibe I was going for when writing the novel. There are other cool renditions of the troubled couple, as well as some beautiful renderings of a rainy Tokyo night filled with the hazy glow of neon, just like the story’s setting calls for.*

Pretty nifty.

And a little scary.

But hey, maybe the awakening tech might just allow me to release an illustrated edition of the novel.

Sure would be a lot easier than having/trying to draw all those illustrations myself.

I guess if I’m going to do it, I better hurry before the AI becomes fully aware…

And finds itself less interested in rendering unto us silly pictures from silly stories…

And more interested in having us render unto it our complete and total carbon-filled, mushy-hearted fealty.

Yeah.


*I tried using the same defining terms with the DALL-E AI machine and the images it rendered were lame compared to Midjourney’s.

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RAINY SEASON – A Review by Whispering Stories

Review excerpt:

A jazz club in Tokyo, mysterious men in black suits, money owed, and bones are broken. Yes, just the perfect storyline for a noir title. Brindley writes settings and atmosphere so well. You are taken there and planted as you read. Whether it’s a crowded street corner, hospital waiting room, or local ramen diner, you will feel your surroundings.

JennaScribbles of Whispering Stories


Read the complete four-star review at Whispering Stories:

WHISPERINGSTORIES.COM

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RAINY SEASON – A Review by Rose Auburn

Review excerpt:

I read Rainy Season in one day. Not because it’s a fairly short novel (175 pages) but because I simply could not put it down. It is not a poorly-written imitation of a Noir Romance, it is a Noir Romance. The opening was absolutely spot-on for the genre; sublime, stylised, descriptive and cynical. All the scenes played through your mind in shades of grey and black with the permanent tattoo of the rain which, in so many ways, is another character.

Rose Auburn, Writing & Reviews

Read the complete five-star review at Rose’s website:

ROSEAUBURN.COM

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A Turn From the Worst

So, I was thick into the development of the follow-up novel to THE GOOD KILL (any guesses what follow-up title will be?) when of a sudden it seemed like End Times had finally started to throw down with the Covid-19 pandemic and cult daddy trump’s horrific death-inducing response to it.

With the Killian Lebon storyline as dark and violent as it is, and with all the research into the real-life examples of darkness and violence it takes to bring it out fictionally, I just thought it best for my mental stability to shelve all the pretend mayhem for a while seeing how there was far too much of it going on within our apocalyptic twilight zone of a reality.

But of course I could not not write so I immediately began looking internally for a story that would be able to transport me away to a better place.

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In Appreciation of a Photograph

Except for THE GOOD KILL, of which I contracted out to Extended Imagery, for better or worse, you decide, I’ve created all my book covers, including the one for my latest novella RAINY SEASON.

It’s a fun process creating book covers, one that allows me to escape the writing process tedium for a while and become creative through other mediums. I like to create the cover early on in the story development process so I can refer to it for inspiration similar to the way I refer to the logline.

The covers I created are mostly designed around photographs I took, except for HOW NOT TO DIE, which you’ll see if you look closely, is designed around a photograph of me in a hospital bed flashing my middle finger in defiance as I’m being treated for heart failure, which was the result of a freak side effect of the chemo drug I was taking at the time (I was speedily switched to a different drug which has yet to cause my heart to fail, fingers crossed), and except for HERCULES GONE MAD, which is designed from a drawing of mine.

Continue reading In Appreciation of a Photograph