THE GOOD KILL – A Review by Cathy Geha

I’d like to thank Ms. Cathy Geha of Cathy’s World for her review of The Good Kill. Cathy had, fortunately for me, come across the book at NetGalley.

Her’s is the forth review I’ve received from the site, which is pretty cool. It’s been downloaded from there over 50 times so hopefully we’ll see more than a few more as a time goes on. Fingers crossed.

Help me show my appreciation for Cathy’s review, and all the other many reviews she has prepared for us, by visiting her site and spending some time there with her.

CATHYGEHA.TUMBLR.COM

THE GOOD KILL – A Review by Gina Rae Mitchell

I would like to sincerely thank Ms. Gina Rae Mitchell for taking the time to read The Good Kill and write such a fantastic review for it.

I could tell when first visiting Gina’s website packed full of book reviews, author interviews, and all kinds of other interesting information from gardening tips to tasty recipes that hers was a platform I would love to get my book profiled on. So, as you can imagine, I was very grateful when she responded in the affirmative to my review request.

And grateful I am indeed for throughout the entire time it took from my initial request to Gina posting the review today, it has been nothing but a pleasure to work and correspond with her.

Right from the beginning I signed up for her newsletter and I’m glad I did because it offers way more than just links to her latest book reviews. Had I not been on her list I would have never known to add apple cider vinegar to my bone broth to better soften the bones so my dogs/boys can better enjoy them without me having to worry about them choking on a shard!

There’s so much cool stuff on her site that you’re sure to be amazed when you head over there to read her review of my book.

So be on your way now to Gina’s site… and don’t forget to sign up for her newsletter!

Thanks, Gina!

GinaRaeMitchell.com

THE TELEPORTER by Lee Hall – A Review

BOOK | FICTION | HUMOR
THE TELEPORTER
LEE HALL
RATING: ★ ★ ★ ★

What if there was a power like no other? What if one drunken slouch happened to stumble where nobody has stumbled before and discovered the ability to teleport!
Just when you thought there were enough super hero stories in this world, we made another one…
Kurt Wiseman is your average mid-twenties slouch with a serial thirst for alcohol, that is until destiny calls upon him to stumble where no man has clumsily stumbled before. By day he works for a familiar sounding, power hungry, media controlling, mega rich American businessman who represents everything wrong with society today. Whilst investigating this politically loaded story arc Kurt accidentally acquires a super power like no other. The ability to teleport!
Before he can think about saving the day, Wiseman must endure a journey of self-reflection by earning the trust of his friends and overcoming his greatest weakness, booze. Even if the path is filled with comic book cliché, inappropriate one liners and genre busting fourth wall action.
Not all heroes in this world are the same and with great power comes the possibility to go viral! This is a story that will unite humanity…
Kurt Wiseman is the Teleporter!

Publisher’s Book Description

This is a fun, breezy read of a book that delivers on exactly what the author set out for it to do, and that is, essentially, to have it be a fun, breezy read of a book.

How do I know this? Because we’re told as much in an author’s note at the end of the book.


“I set out to create this story with one goal in mind, which was above all, to make people laugh…” – Lee Hall


Mission accomplished, Mr. Hall.

And not only does our besodden superhero Kurt Wiseman (cool name) humor us with his meh Millennial mentality, he does so while locked in a life-or-death battle with the (stereo)typically corrupt corporate (never noticed how similar the words corrupt and corporate are in appearance until now) tech executive and his conglomerate of clownish henchmen, all while reminding us along the way of the dangers and unintended consequences of technology run amok, among other timely and topically important issues of the day.

Now, would I liked to have found the story with more fully developed characters and settings? Sure. But we must remember our tale is narrated by our slacker superhero so the sparsity in development can be considered almost apropos, as it leaves me feeling as I did as a parent when dealing with my own similarly-aged Millennial offspring who are equally adept at providing just enough information needed to keep them out of any serious trouble.

Bottom line: this is an all-around enjoyable book. Simple as that. So…

Buy it.

Read it.

Laugh with it.

THE DEVIL ALL THE TIME by Donald Ray Pollock – A Review

BOOK | FICTION | LITERARY
THE DEVIL ALL THE TIME
DONALD RAY POLLOCK
AUDIOBOOK
RATING: ★ ★ ★ ★★

Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

From the Book Description

First let me point out that the title of this book is THE DEVIL ALL THE TIME. It’s not The Devil Some of the Time or The Devil Every Once in a While. I repeat, it’s The Devil All the Time. This is an important point, one that all the up-in-arms one-star reviewers of the book complaining about it having no redeeming characters seem to have somehow missed.

Little details like book titles do matter folks.

So yeah, with a title like that you shouldn’t be surprised when finding that it’s a gritty, grimy, nasty, corrupt, vulgar tale of a story that thoroughly explores the deep dark levels of depravity to which our inhumane human-ness is capable of descending.

It’s also beautifully written with a complex twisting of storylines that straighten themselves out nicely as one in the end, if not a bit too conveniently so as some of the negative reviewers point out and which I somewhat agree with them there.

But only somewhat.

The part of the publisher’s book description that I didn’t include above states essentially that The Devil All the Time is a mashup of “the twisted intensity of Oliver Stone’s Natural Born Killers with the religious and Gothic over­tones of Flannery O’Connor at her most haunting.”

There were several reviewers who seem to consider it sacrilegious to compare this work to O’Connor’s, the literary icon that she is. I kind of have to agree with them. Certainly not so vehemently, nor even for the same reasons, but because I got more of a William Faulkner vibe from it than an O’Connor.

But that’s just literary semantics. The book is an exceptional read in its own right.

What made it an especially exceptional read for me is that the audiobook version is narrated by master voice actor Mark Bramhall. I was fortunate to discover Bramhall’s genius when reading Christopher Buehlman’s wonderful horror tale THOSE ACROSS THE RIVER, and it was in search of more of his genius that I came across this book of which I am now reviewing for your entertainment and instruction.

Okay, all that’s fine and dandy; but want to know what impresses me most about The Devil All the Time?

Too bad. Ima tell you anyway.

What impresses me most about the work is the author himself, Mr. Donald Ray Pollock.

Not only is Pollock originally from the area of which his depressed story is set, he depressingly dropped out of school at seventeen and, after a (depressing?) stint at a meat packing plant, spent the next thirty-two (depressing?) years working as a laborer in a paper mill.

Don’t know if it all was as depressing as it seems, but it sure seems as if Pollock is trying to play it up that way in his bio.

Regardless, he, at some point, decided he wanted to be a writer so, at the age of forty-nine, he went ahead and enrolled in the MFA program at Ohio State University.

How cool is that?

How brave is that?!

I can’t imagine the courage it must have taken for him to follow his literary dreams at such an advanced age, especially knowing that to do so he would have to expose himself so openly before classroom’s full of young and exceedingly idealistic whippersnappers, most of whom probably never once had to worry about their parents not covering their expenses, let alone worry about the real life challenges this often dark and dangerous world will offer them once they’re out of the controlled college environment and having to provide for themselves.

Yeah…

This old dude Pollock is now this old dude Brindley’s newest hero.

And, btw, not only does Pollack have more guts than I’ll ever have, his first novel, as dark and disturbing and sans morality as it may be…

Is frikkin’ amazing.


Featured image courtesy of the author’s official website

THE DISTANT SOUND OF VIOLENCE by Jason Greensides — A Review

BOOK | FICTION | LITERARY
THE DISTANT SOUND OF VIOLENCE
JASON GREENSIDES
RATING: ★ ★ ★ ★ ★

Do we ever escape the decisions we make when we’re fifteen?

Nathan Dawes, the loser from school, an outsider, street philosopher and member of The Grove Runners gang, needs Ryan’s help to get Stephanie to fall for him. When Ryan’s lawnmower is stolen, Nathan sees this as his chance to enlist Ryan in his plan. 

Although Ryan knows becoming friends with Nathan could lead to trouble, he reluctantly agrees to help.

Stephanie wants nothing to do with either of them. Besides, she’s more interested in the one guy in the world she really shouldn’t be.

As Nathan continues his pursuit of Stephanie, and Ryan gets mixed up with The Grove Runners, soon events overtake them all, haunting their lives for years to come.

Part coming of age, part mystery story, The Distant Sound of Violence is a heartbreaking tale of bad decisions and love gone wrong. It’s about choices that lead to violence, loss and tragedy.

Amazon Book Description

THE DISTANT SOUND OF VIOLENCE by Jason Greensides is a hauntingly atmospheric tour de force with its stark and captivating descriptions of English life during the Nineties and beyond set in, on, and around the mean streets of London, its fully-fleshed characters as flawed and true-to-life as any character on a page can be, and its ringing dialogue that is at times achingly smart, witty, and/or sad, and that is always cut with just the right amount of a pleasingly rhythmic patios.

Not to say that I didn’t have some quibbles with this masterwork. At over 500 pages, I thought the narrator interjecting his personal story from time to time, while interesting enough to some extent, didn’t add enough value to the overall arc and purpose of the story to merit the lengthy interjections. Specifically, there is one part of the book where the narrator again interjects himself and becomes oddly obsessive in trying to track down and map out the locations of mysterious graffiti tags left by Nathan Dawes, our also oddly obsessive (but oddly obsessive with clear purpose) protagonist; where, in the end, all the time and effort spent in the narrator’s mapping of the tags served no revealing purpose that I can tell except to further highlight something that we already knew — that our protagonist is oddly obsessive to a life-wrecking fault.

But again, these are mere quibbles and ones not nearly severe enough to lower this grateful reader’s overall five-star ranking of this highly intriguing and highly recommended epic of a read.