SORROW is Coming Soon

But for many, it is already here…

As U.S. election exit polls began to point to a second presidency for Donald Trump, many Americans were already looking for another kind of exit: moving abroad.

Google searches for “move to Canada” surged 1,270% in the 24 hours after U.S. East Coast polls closed on Tuesday, company data shows. Similar searches about moving to New Zealand climbed nearly 2,000% while those for Australia jumped 820%.

Late Wednesday evening on the U.S. East Coast, Google searches about emigrating were hitting all-time highs for all three countries, according to a Google official.

After Trump’s win, many despondent Americans research moving abroad, Reuters, November 8, 2024

While many despondent Americans may choose to abandon their country during tough times, Hank has chosen to abandon all of humanity.

SORROW by Kurt Brindley

A disillusioned aging white male forsakes all humanity, changes his name to Sorrow, and begins identifying as an it, just as its white son learns his Black girlfriend is pregnant, and you begin a murderous rampage targeting interracial couples just like them.

Learn more


Interested in receiving an advance reader copy of SORROW to help Kurt get the word out about it, send an email to hank@kurtbrindley.com to let him know and and he’ll send you a copy pronto.

#sorrowistheway

SORROW, a novel by Kurt Brindley

So here we are the day after such an historic election, one full of hope for some and angst for others, and it is my pleasure to present to you my new novel Sorrow.



I believe I mentioned here in the past that I completed a novel in the summer of 2023, and that I was determined to get it published in a traditional manner. Well, after a year-and-a-half of the manuscript being rejected — and by being rejected I mean mostly being ignored — by over a dozen publishers, it is time for me to face the reality that the only way this novel will get published is independently by yours truly.

Since I am seeking your help in getting the word out about Sorrow, particularly by you reading a free advanced copy of the book and posting your review of it at all the usual places, I should probably make you aware of the potential elements of the tale that may cause concern to some.

Let’s not call them “trigger warnings” because that term in itself is quite triggering to many; let’s instead call these concerning elements of the tale simply “noted concerns.”


SORROW’S NOTED CONCERNS

  • Behavioral health concerns
  • Suicidal ideations concerns
  • Abortion concerns
  • Homelessness concerns
  • Homicidal concerns
  • Gun violence concerns
  • Police brutality concerns
  • Racism concerns
  • Identity concerns
  • Pronoun concerns
  • Sexual content concerns
  • Brief nudity concerns
  • Vulgar language concerns
  • Religious cult concerns
  • Alcoholism concerns
  • Smoking, both tobacco and marijuana, concerns
  • Pandemic masking concerns
  • Fully developed Black, Hispanic, and white female characters created by an old white male concerns

I think that about covers the concerning elements of the tale, with some elements, of course, being more concerning than others. At least now you have some idea of what to expect of the story’s content. If it were a movie it would definitely have a solid “R” rating.

I guess I should point out that there are also some magical realism and meta-fictional elements involved in the tale. Perhaps, depending on your literary sensitivities, they too should be included in the noted concerns section, lol.

Anyway…

What is the crux of Sorrow?

Let me give you a full synopsis of it (or is it summary? I always get the two confused):


SORROW by Kurt Brindley

Harold Thorson Sterner, Sr., who had come to be known as Hank, an aging white male no longer able to bear the downward spiraling, troubled state of the world, has decided to end his relationship with it, the world, and all that it entails: all humanity and its entire “civilized” existence, his name, his family, his profession, all his responsibilities, everything, even, perhaps, his conscious mind.

To ensure his new relationship with the world is clear and properly regarded by others, he legally changes his name from Harold Thorson Sterner, Sr., to Sorrow and begins identifying, not as a man, or even as a human for that matter, but simply as a being, an it.

He, or rather, it, has made this what turns out to be rather ironic decision to forsake humanity just as its white aspiring author son learns his Black aspiring business executive girlfriend is pregnant, and you, an aspiring serial killer, begin a murderous rampage targeting interracial couples just like them out in sunny Los Angeles.

Sorrow, up until now a semi-celebrated author who had moved recently to sunny Los Angeles to adapt its former self’s successful novels into screenplays, attempts to explain its decision to forsake the world it in a letter to its estranged wife Evelyn, who now lives separated and carefree from her disillusioned husband in Miami, enjoying life with her young Cuban boytoy Alejo.

The letter, more a missive really, prompts Sorrow’s son, who is already in the midst of his own crisis due to his girlfriend’s unexpected pregnancy, to trek out to LA in hope of finding his odd father and providing him the care that he needs. His girlfriend, distraught at her boyfriend’s untimely departure, soon follows him out there. Together in LA, the troubled couple has unwittingly placed themselves at risk of your violent wrath.

And so, as the story unfolds and Sorrow slowly morphs into what? a Christ-like figure? a mad bodhisattva? just another behavioral health breakdown victim littering the streets of LA?, and as whatever it morphs into somehow draws to it other disillusioned souls who begin worshipping it, and as three of its original acolytes, a self-identified indigent and two hippies, are able to magically fly – one by spinning his long, matted hair like helicopter rotor blades and the others by vigorously flapping large palm fronds typically reserved for their worship of Sorrow – and use these skills to fight evil forces on behalf of Sorrow, and as all but one of the story’s narrators mysteriously, suspiciously, disappear, and even as the body count from your murderous rampage steadily grows around it…

Sorrow does not respond.


Okay, maybe that was a bit TMI, but, simply put, what we have here with Sorrow is a very contemporary tale with all of society’s, especially American society’s, tragedy and drama, hopes and dreams.

If you are interested in reading and reviewing Sorrow, and I hope you are, please email me at hank@kurtbrindley.com and I’ll shoot you a copy post haste, as I hope to have the story published on Amazon soon.

Or you can just leave a comment here if you prefer and we can take it from there.

Yeah…

#sorrowistheway

Rainy Season has ended…

At least as the title of one of my books.

Rainy Season
Romance Noir

I am partial to the title, as it is quite representative of the literal climate of the story’s Tokyo setting as well as the story’s dark, metaphorical mood, so putting it out to pasture was not an easy decision to make.

However, after trying several different covers in a futile effort to get the book noticed, I decided it was time to take more extreme measures.

I am pleased to introduce to you:

When Broken Hearts Break
Romance Noir

With the heartbroken shards of a shattered past lodged deep within his soul, falling in love is the last thing a mysterious American expatriate in Tokyo is looking to do, especially with an alluring jazz club singer shrouded in vague mysteries of her own…


And to celebrate its new name and look, it, and all the rest of my books, are free all day at Amazon.

Yeah…

Poe[try] in Motion

I’m a big Poe fan (Who isn’t, am I right? I mean, does anyone even know anyone who isn’t a Poe fan? or anyone who knows someone who was told once a long time ago about someone who isn’t a Poe fan? Exactly.), so when I got the latest book recommendation from Amazon for yet another collection of Poe’s greatest works, this one illustrated by Edward Gorey no less, I was all over it.

But then I saw it was a Kindle in Motion book and my heart sank.

Yeah, I’ve been seeing these types of newfangled in-motion titles pop up every now and then and my initial reaction to them was pretty much the same as was my initial reaction to the dawn of Kindle books.

Not in my library, no way. They would have to pry the r-book (real book) out of my cold dead hands before I would ever take hold of an e-book.

But then of course, with way leading on to way, I came to love e-books and they have become indispensable to my well-being and I no longer feel guilty when walking past my long-ignored bookshelves only annoyance because they are so damn dusty..

I mean, back to Kindle in Motion books, if I had the desire to watch pictures that move, then I would watch either a motion picture or get up early on a Saturday and watch animation/cartoons (are there still such a thing as Saturday morning cartoons?).

Anyway, long story short, since I’m no Luddite (stay tuned for my upcoming AI confessional post, btw) and since it has Gorey as the illustrator I checked out the Poe in motion book post-haste – figuratively and literally since as part of the Prime Reading offerings it has to be checked out, and found it to be pretty frikkin’ awesome.

Okay, of course it isn’t illustrated by Edward Gorey, how could it be since he’s been residing in weird genius illustrator heaven for nearly 2.5 decades. It was only wishful thinking on my part and my eyes saw what they wanted to see.

The actual illustrator’s name is Corley, M. S. Corely to be precise, and by the looks of his resume he’s had a pretty good career cranking out book covers.

And I must admit, Mr. Corely did a bang-up job on the Poe book. The pictures in motion are very cool with the likes of swinging pendulums and ravens flying ominously across the page.

So yeah, check it out. The good news is if you have an Amazon Prime account (and who doesn’t, right?) it’s free.

Stephen King has words…

A lot of them.

Usually that’s okay because he is such a great storyteller, one, I believe, who (whom?) deserves to be appreciated literarily well beyond the horror genre. Few can convey the human condition, its perils, its pleasures, as well as he.

But, to me, his overzealous output of words is always a fine line issue because, even though I usually finish any novel of his that I attempt to read/listen to, the ones that I don’t finish are always because I become overwhelmed by what to me seems an abusive overwriting of character and plot asides, a la…


Sponsored

Even four years after the sudden death of his wife, best selling novelist Mike Noonan can’t stop grieving, nor can he return to his writing. Now his nights are plagued by vivid nightmares of the house by the lake. Despite these dreams, or perhaps because of them, he decides to return to Sara Laughs, the Noonans’ isolated summer home. In his beloved Yankee town, he finds himself falling in love with a widowed young mother, who struggles to keep custody of her 3-year-old daughter. He is also drawn into the mystery of Sara Laughs, now the site of ghostly visitations, ever-escalating nightmares, and the sudden recovery of his writing ability. What are the forces that have been unleashed here – and what do they want of Mike Noonan?

Amazon

Bag of Bones is a perfect example of this. Weighing in at a hefty 752 pages it is immensely overwritten in my blurry view. However, the story is limber and sinewy enough that I was able to make it through to the final round.

I know, I know, enough of the boxing metaphor. I get it.

Another example of an overwrought novel of his, you ask?

Well, funny you should ask because I just finished fighting my way through one…


Sponsored

A terrible accident takes Edgar Freemantle’s right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. When his marriage suddenly ends, Edgar begins to wish he hadn’t survived his injuries. He wants out. His psychologist suggests a new life distant from the Twin Cities, along with something else:

“Edgar, does anything make you happy?”
“I used to sketch.”
“Take it up again. You need hedges…hedges against the night.”

Edgar leaves for Duma Key, an eerily undeveloped splinter of the Florida coast. The sun setting into the Gulf of Mexico calls out to him, and Edgar draws. Once he meets Elizabeth Eastlake, a sick old woman with roots tangled deep in Duma Key, Edgar begins to paint, sometimes feverishly; many of his paintings have a power that cannot be controlled. When Elizabeth’s past unfolds and the ghosts of her childhood begin to appear, the damage of which they are capable is truly devastating.

The tenacity of love, the perils of creativity, the mysteries of memory, and the nature of the supernatural: Stephen King gives us a novel as fascinating as it is gripping and terrifying.

Amazon

Duma Key maintains the unbelievable fighting weight (sorry, I can’t seem to shake the blasted metaphor) of 783 pages! Strangely enough though, it doesn’t seem quite as flabby as BoB.

Now, as one would assume, these books are for all intents and purposes horror novels; ergo, I listened to them instead of reading them, for, to me, horror is served best via the ear versus the eyes. You know, ghost stories around the campfire vibe and all that.

One of the best attributes of BoB as an audiobook is that the King himself reads it. He’s a fantastic narrator, and he doesn’t seem to mind at all having to read all the extraneous words he wrote.

Duma Key is narrated exquisitely by none other than John Slattery. The only problem with him as narrator is I could never get Roger Sterling out of my head while listening.

And if you don’t know who Roger Sterling is, then take a lap!

In fact, take two!


Seeing that it’s Sunday, Palm Sunday no less, and we haven’t had a Sunday Song to Spark the Spirit and Summon the Mood of the Dance in quite a long while, why not have the King himself get us groovin’, eh?

No matter how bad it gets…

grayscale photo of explosion on the beach

And it has gotten extremely bad lately…

I guess there is some comfort to be found in knowing…

That it could always get worse.

Yeah…

Not sure if I have the imaginative capacity, or fortitude, to imagine how.

Hope I don’t.

But, still, here we are, despite it all, moving forward…

Even if it’s just at the most timid and extremely infinitesimal pace.

Because we must.

And we shall.

So yeah, in the midst of all this, all this being our latest global nightmare of ___________ [fill in the blank]*, I finally managed to do something I have been wanting to do pretty much since the onset of the past global nightmare of ___________ [fill in the blank].

Read more

A New Look

For a (not so) old book.

Rainy Season Book Cover
click to explode

Well, I guess in this hyperfast doom scrolling timeline of a world we now live in, 2020 as a publishing date is rather old, ancient even, so perhaps a refreshed book cover is past due.

Anyway, this book, as well as all my others, will be free for 24 hours beginning midnight tonight (I’m never sure if it’s midnight my time or Bezos’s) so go ahead and set your reminders so you can get you some while they last…

Which should be until forever…

Or until Bezos’s servers become aware and the Amazonocalypse begins…

Whichever comes first, I guess.*

<3


*Best we not forget about screwball Musk and his screwball efforts to be the first to trigger the end of times so he can be the one to lord over us on Mars instead of Bezos.

WE ALL DIE IN THE END by Elizabeth Merry – A Review

BOOK | FICTION | SHORT STORIES
WE ALL DIE IN THE END by Elizabeth Merry
RATING: ★ ★ ★ ★

Shop

If Joyce, Faulkner, and Kafka were to collaborate…

The result would be Elizabeth Merry’s We All Die in the End.

Merry’s is some of the best writing I’ve read in a while. Like Faulkner, she creates a fictional world unto its own, Faulkner’s set as a struggling Mississippi town, Merry’s as a struggling seaside town in Ireland, both populated with struggling characters with thick dialects common to their region.

However, regarding dialect, where Faulkner reveals his characters’ through heavy (and at times disruptive) word alteration and accent marks, Merry reveals her characters’ distinctive brogue (seemingly) effortlessly and without hardly a notice through beautiful setting descriptions and strategic use of words uncommon to those not of her world.

The effect of her writing to me is powerful…

And surreal…

Kafkaesque.

Merry’s nineteen interwoven stories, or scenes as identified in the book, often misled me into letting my guard down – getting me lost in the cold ocean spray or in the delectable odors stewing from the stove or in the broguish din of the local pub – lulling me into thinking all’s well (how could it not be in such a quaint little town with waves pounding the shore like a mesmerizing lullaby) until it slowly dawns upon me that all is not well in Merry’s little corner of the world. In fact, not until it’s too late do I realize that just about everything beneath the quaint veneer she has laid for us is in fact quite dark and bleak, and at times… quite deadly.

We All Die in the End has left me with a haunting literary hangover.

And for that, I am grateful…

For, as rare as it is, it is that exact aftereffect I yearn for in every book I read.


EMBOOKSTUFF.WORDPRESS.COM

RAINY SEASON – A Review by Gina Rae Mitchell

Review excerpt:

Kurt Brindley has written an excellent book in the noir romance genre. This author continues to astound me with his grasp of descriptive words. In Rainy Season, he portrays his scenes so well you will swear you can hear the rain, smell the smoke drifting from the Tokyo jazz club, and breathe in the melancholy saturating the air…

– Gina Rae Mitchell, Book Reviewer Extraordinaire*

Read the complete five-star review at Gina’s website:

GINARAEMITCHELL.COM