books

He Ain't No Oe But That Ain't So Bad

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BOOK | FICTION | LITERATURE
THE WIND-UP BIRD CHRONICLE
by Haruki Murakami
RATING: ★ ★ ★

Original review date: May 17, 2011

Haruki Murakami
Haruki Murakami

Nobel Prize winning author Kenzaburo Oe is one of the few contemporary Japanese authors whose writing does what I believe Japanese literature — strike that — whose writing does what I believe all literature should do: that is, it should expose our fears and force us to confront them. Like a shamanistic bloodletting, literature should mercifully, but without mercy, cut deep into our consciousness in an effort to reveal and release, exorcise, the things in life that have come to possess us—-our loves, our hates, our envies, our disdains; and afterwards, when the demons are either gone or have regained control, after the blood stops flowing and the wound hardens into a gnawing, itchy scab, it, literature, then forever stays with us and occasionally reminds us of that which we have, if not overcome, then at least managed to suffer through, as the thickened scar forever reminds the wary survivor.

Yes, I expect much from literature.

Oe’s writing affects me as literature should. Though it has been many years since I have read his novels The Silent Cry and A Personal Matter, they both are still with me, haunting me.

While I have read far too few Japanese authors, it is impossible for me not to compare the writing of those authors whom I have read against Oe’s, since his is such a powerful force in my literary life.

It’s difficult, maybe impossible, to compare the writing of authors of different literary genres and subgenres. How does one effectively size up an Oe novel against a Basho haiku against a Miyazawa fairy tale?

Acknowledging such difficulties, I know we still like our “best of” lists so here is a somewhat rankish list of those few Japanese authors whom I have read, ordered based on the subjective impact their writings have left on me, on how deeply they cut into my consciousness, on how thick the scar they leave behind.

Kenzaburo Oe
Yukio Mishima
Matsuo Basho
Ryunosuke Akutagawa
Soseki Natsume
Yasunari Kawabata
Kenji Miyazawa
Haruki Murakami
Banana Yoshimoto

I love poetry and I consider myself a poet, but as a reader I am drawn mostly to the novel. So it’s no surprise to me that the list consists of those authors known primarily for their novels. Most of the authors are dead, but the three who are still with us bookend the list: Oe on top and Yoshimoto and Murakami at the bottom.

Though his name is listed next to last on the list — which doesn’t necessarily mean his writing is bad (although I do believe Yoshimoto is properly placed at the bottom as she is a less than good writer, especially when compared to Oe) — when discussing contemporary Japanese novelists, the first on the list to be discussed, even before Oe, at least in terms of international popularity and readership, is Haruki Murikami.

These days, Murakami’s work dominates Japan’s literary scene, and much of the international one, as well. From what I’ve learned about his work ethic his is a completely earned and deserved domination — when working on a novel he rises at 4:00am, writes for five to six hours, runs 10 kilometers, and is in bed by 9:00 pm; he rigidly sticks to this herculean writing process and daily routine until the novel is complete.

The Wind-Up Bird Chronicle is my first Murakami novel. In addition to the short story Town of Cats it is the only work of his I have read.

I like THE WIND-UP BIRD CHRONICLE. I think it deserves to be as widely read as it has been. It is an intriguingly complex story with many layers, possessing much of what I like most about Japanese writing, and which, fortunately for me, is what most of what the Japanese writing that I have read is about: the sense of loneliness and despondency in the face of an ever more changing and complex world.

But it seems THE WIND-UP BIRD CHRONICLE is a bit too complex an effort with too many layers for Murakami to effectively manage.

The protagonist of the story, our non-hero, is Toru Okada, a still young but nearing middle age out of work lawyer. He is out of work by his own choosing, apparently because he has become disenchanted with his line of employment and his place in life. First he loses his cat, then his wife. During his quest for both, he finds and develops a relationship with a flirty teenager, with two sisters (one a prostitute of the mind whom he encounters in both his real and dreamed worlds, the other a prostitute of the flesh), a rich widow and her mute but spiritually communicative son, and a World War II veteran with a fantastically horrific yet achingly beautiful story to tell. To manage his downwardly spiraling and dangerously out-of-control and confusing life, Toru takes refuge within a deep well, which seems to be some sort of all consuming event horizon between his reality and his dreams.

Yeah, it’s as wild and mesmerizing and frustrating (often not in a good way) ride of a novel as it sounds.

My two biggest criticisms of Murakami’s novel are that it is too contrived and too insecure.

I know much of the story is fantastical and captured within a dream state, but it doesn’t feel natural. No matter how bizarre and far out crazy weird a story is it should still feel natural, as if that is exactly how life is meant to be. Some of my favorite novels are captured firmly within these realms; particularly Franz Kafka’s The Castle and The Trail.

We know that Murakami was greatly influenced by Kafka. So much so he entitles of one of his books Kafka on the Shore. But no matter how fantastical and surreal Kafka gets, his writing feels natural within those unnatural realms. Murakami’s does not. His feels choppy, forced, and, as I said before, contrived.

I also get impatient with Murakami’s lack of trust in us, the readers. This lack of trust may mean he is somewhat insecure in his own writing ability. He explains things too much. He leads us throughout the story with too much detail and suggestions as to the meaning behind what it is he wishes for us to learn from his words. Unlike Kafka who takes us blindfolded onto his bizarre journeys, abandones us deep within the remote wilderness of his unfinished tales, and leaves us to our own devices to find our way back to safety, Murakami has no such confidence in either us, himself, or both.

Maybe it’s overly descriptive because unconsciously he understood that the story was too ambitious and unmanageable for him to successfully convey.

Regardless what my criticisms are, THE WIND-UP BIRD CHRONICLE is an immense success. As testimony to its international appeal, an “interdisciplinary theatre production” based upon the novel premiered at the Edinburgh International Festival. Its trailer looks amazing and captures the essence and weirdness of the story.

In the end, Murakami’s THE WIND-UP BIRD CHRONICLE does not do for me what Oe’s The Silent Cry or A Personal Matter does. While it is surreal and sometimes dark and creepy in a soulful and insightful way that I mostly enjoyed, it has no staying power. If there has been any cutting from it, it has been bloodless and superficial. Ten years from now, I foresee the novel leaving no haunting or even memorable scars on my consciousness.

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Rating System:
★ = Unreadable
★ ★ = Poor Read
★ ★ ★ = Average Read
★ ★ ★ ★ = Outstanding Read
★ ★ ★ ★ ★ = Exceptional Read

Butter

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Butter

Boy, I want you to butter the bread.
And remember, I like it buttery.

But Dad, it’s too hard for me to spread the lard.
Can’t Sister do it instead?

Boy, it’s up to you to butter the toast.
Cuz the only way for you to learn

To do the things that you can’t do
Is to do those things the most.

So every time there is bread to butter
I want you to spread the cream.

And soon you’ll be the best bread butterer
That the world has ever seen.

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Butter is from Poem Man, a children’s book of poetry that my family and I put together, – literally put together: the poeming, drawing, covering, printing, stapling, etc. – back at the turn of the century.

I must admit, that when my children were young I had aspirations of being the next Shel Silverstein, my favorite poet of all time. While that didn’t quite work out for me, it sure was a lot of fun fooling around with children’s poetry back then when the kids, and the internet, were still young.

It’s hard to believe the original Poem Man website, circa early 2000s, is still out there. Check it out if you’re in the need of a good chuckle.

Guess I was doing Indie before Indie was cool…

Poem Man Website

Almost forgot that I’ve already exploited Poem Man some time ago, tying in a poem, or at least attempting to, called Petey Peter the Garlic Eater with my review of W. Somerset Maugham’s masterpiece Of Human Bondage.

Yeah, I know… but what the heck, right?

 
 

Poeting hard on this most poetic of days…

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POETIC LICENSE

Thank God for the passionate poet
Who trumpets the sun’s morning rise

And who writes lovely, pretty sad songs
Of young lovers’s heartbreaking goodbyes

Thank God for the passionate poet
Who reaches right into the heart

To stroke it, to tease it, to please it
And sometimes to tear it apart

#NATIONALPOETRYDAY2014

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From my poetry collection Poems from the River

From Poem Man – Petey Peter the Garlic Eater

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Petey Petey the Garlic Eater
Petey Petey the Garlic Eater

My review of W. Somerset Maugham’s masterpiece OF HUMAN BONDAGE reminded me of “Petey Peter the Garlic Eater,” a poem I wrote and which was included in POEM MAN, a children’s poetry book my family and I published back at the turn of the century.

Maugham’s classic novel and my less-than-classic poem both discuss, in their one ways, the important matter of addiction and dependency. In Maugham’s story, we find that, because of the protagonist Philip Carey’s love for Mildred, a love so strong she becomes his addiction (his bondage), he nearly destroys his own life. In my poem, we find that both Peter Peter’s excessive love for pumpkins and Petey Peter’s excessive love for garlic, addictions in their own rights, destroy, if not their own lives, then the lives of those around them.

Petey Peter the Garlic Eater

Petey Peter the garlic eater
Sat right behind me in class.
And if he wasn’t busy boisterously burpin’,
He was busy passin’ poisonous gas.

I couldn’t concentrate on my studies
Because of the stink he emitted.
As a result I failed all my classes.
As for graduation, I wasn’t permitted.

Now, if you’re a lover of riddles and rhymes
You might just remember his name.
Cuz his great, great, great, great, great, grandfather
Is famous for a name just the same.

But their names are their only sim’larities,
For they both liked to eat different treats.
Old Peter Peter preferred to eat pumpkins,
While it was garlic young Petey did eat.

Though I can’t imagine eating pumpkins
Unless smashed and baked as sweet pies.
But I do wish young Petey had eaten them,
Cuz his garlic breath always drew flies.

But pumpkins, too, can bring trouble.
It’s cuz of pumpkins old Peter lost a wife.
I guess if you do too much of anything
There’s a chance it could ruin a life.

It’s cuz of Petey’s stinky garlic breath
That every single class I did fail.
And it’s cuz I dropped out of grade school
That I eventually landed in jail.

But as for Petey, he invented a breath mint.
And it earned him a million or two.
And he married the great, great, great, great, great, granddaughter
Of the old lady who lived in the shoe.

September 20, 2011

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September 20, 2011, will be a historic day for our country, and a special day for me.

It will be historic because the United States’s discriminatory Don’t Ask Don’t Tell policy will finally be put to rest.

And it will be special to me because I hope to release my novel THE SEA TRIALS OF AN UNFORTUNATE SAILOR on that day in honor of the historic event.

But, like the cup half empty kind of guy that I am, I won’t believe either will happen until I actually see them happening…

But I’m hopeful it will all come true.

I can hardly believe that DADT is finally coming to end because it has been a powerful presence in my life since my decision in 1994 to work outside my career field of telecommunications, and outside of my comfort zone, to become a navy Equal Opportunity Advisor. My duties as an EOA required me to become thoroughly familiar with the DADT policy and to facilitate seminars and focus groups regarding it at navy commands throughout the Western Pacific. A key element of my training was not to just remind sailors that they could not ask about someone’s sexual orientation, but also to make it very clear since it had become an issue in the military that, just because their values or stereotypes or perceptions or prejudgments motivates them to do so, doesn’t mean they can harass or abuse or murder someone who they perceive has a sexual orientation that is contrary to their beliefs. I use the word “perceive” because rarely do homosexuals violate DADT policy by telling others, especially others hostile to their lifestyle, about their sexual orientation. Consequently then, the most likely way a homophobic person can be motivated to act upon his or her (mostly his) homophobic tendency to want to harass or abuse or murder is by perceiving a service member to be a homosexual based upon the perceived homosexual’s behavior or personal characteristics. Facilitating the discussion of such a sensitive, and often combative, nature for three years was very challenging, yet very rewarding for me.

If I can hardly believe that DADT is finally coming to an end, I can only wonder how one feels who loves his or her country so much that he or she was willing to join the military knowing that the DADT policy required him or her to suppress his or her identity and sexual orientation in order to serve. (Normally, because I am a man and because I choose a male identity for myself (It’s a gender thing, you wouldn’t understand…probably.), I would not bother with all the “he or she” and “his or her” distraction; I would simply just write “he” or “his,” just as I would expect a female writer to just write “she” or “shis,” I mean, “sher,” I mean, “her,” but I feel in this situation, it is important for me to highlight and reiterate the fact, in an effort to remind everyone, that both men and women have chosen to make this enormous sacrifice for their country. Talk about Patriots. All you heterosexuals out there go ahead and try imagining what it would be like to not only not be allowed to tell others who you love, but also to not be allowed to completely express your love to the person whom you do love. Hard to imagine, isn’t it, since it’s our privilege to not have imagine such an absurd way of life?

And I can hardly believe that my novel is finally going to be released because it, too, has been a powerful presence in my life for nearly as long as DADT has been. Consequently, I find it hard to believe that in a few short days I will finally be able to call the project complete.

And I also can hardly believe that my novel is going to be released on September 20, 2011, since it is only a few short days away and, because of a few issues I am contending with, I still have yet to complete the publication review process with the publishing service I am using. So, at this point, September 20, 2011, is more like a target release date than a set release date. But we’ll see.

Regardless of whether my novel is actually published on September 20, 2011, or not, the date will always be special to me since it was DADT, or more specifically, since it was all the harassment and abuse and even murder that was inflicted on so many service members because of DADT, that provided the unfortunate impetus for why I wrote the novel to begin with.

Exploiting the Crisis

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Rahm Emaneul, President Obama’s first Chief of Staff, was famously quoted as saying, “Never let a serious crisis go to waste” in response to the financial meltdown of 2008.

I imagine most would regard that quote disdainfully—a little too Machiavellian for their pleasant palates, perhaps.

But you know what? It is that exact mentality towards life in general that I have tried to apply to my life over the years, and I have been trying even harder ever since I was diagnosed with cancer and lung disease.

Because let’s face it, regardless whether your palate prefers pleasantries or not, the saying that we all know, every single one of us, that expresses so well about the horrible inevitables that life sometimes trips us up with is not “Flowers Happen!” or “Perfume Happens!” No, the saying we all know and have probably even declared from time to time in our sometimes horribly inevitable lives is:

“SHIT Happens!”

And do you want to know why we say it?

That is a rhetorical question because I know you all ready know.

We all know the answer because no matter how hard we try, no matter how much we study to get good grades, no matter how many hours we put in at work to make the money that we use to build our little nests for which to lay in our little eggs, no matter how well we plan and believe we are prepared for all the horrible inevitables we find in our paths, sometimes life can really stink.

And sometimes it can really, really stink. Sometimes life can be so smelly our noses cannot even become desensitized to it. Sometimes the smell is so bad it seems like it has become our permanent atmosphere. And in order to survive, we have to breathe it in no matter what, knowing that each breath we take is poison and will make us gag, or even kill us.

Now that is one stinky life, in my blurry view.

Fortunately for me, one of the side effects from all of the shit that has been happening in my life lately is that I lost both my sense of smell and taste.

Pretty handy when life smells so badly that you can almost taste it.

Shit happens. Yes it does.

Another less offensive way to those whose sensitivities are easily offended, and less poetic, too, of saying the same thing would be to say that life is nothing more than moving from one crisis to the next.

I guess how we manage life, then, is dependent upon how we define and deal with crises.

I am not sure how you define and deal with yours, but I define my crises as “inevitable opportunities” and, like I all ready more than alluded to with the title of this article, I deal with them by exploiting the hell out of them.

For instance, this blog is nothing but a pure and simple exploitation of the biggest crises that I have ever faced in my life.

I have been exploiting the hell out of my cancer and lung disease as much as I can. Hell, I tell you exactly as much in my cheeky, self-infatuated, hand-written blurb about me under my obviously intentionally depressing looking picture of me, used only to get you to feel sorrow for me so that you will be more compelled to read my exploitative writings.

But, there’s more to the exploitation than that.

I may sarcastically say I am exploiting my disabilities by trying to get you to feel sorry for me, but what I am really doing by all that nonsense is attempting to cope with my insecure feeling of trying step out in my new life as a writer and an author. It’s all pretty scary for me.

What I really mean when I say I am exploiting my disabilities is that I am trying as best I can to take advantage of the opportunities my crises have provided.

And the opportunities are many.

Do you think I really would have been able to pursue my life-long love of writing as aggressively as I am doing now had I not become stricken with cancer and then a chronic, debilitating lung disease?

I think not, so I am exploiting the hell out of my disabilities to blog and to facebook and to tweet and to finally publish the novel and poetry collection that I had never been able to finish before because life had always gotten in the way.

Do you think I really would have had the time to share each day and grow in partnership and friendship and love with my wife and children had I not become stricken with my diseases?

I think not, so I am exploiting the hell out of my disabilities by waking each day looking for new ways to love more and to be more loving and to continually grow as an individual.

I could give many other examples of how exploitative I am and how I am not letting my crises go to waste, but these will do for now.

And sure, sometimes the smell of the crises in my life are so overwhelming to me that I become numb and despondent from the smell, but those days, too, are nothing more than smaller crises that must be dealt with in the same manner as all the others: by realizing that no matter how hard I try to be positive and productive, sometimes it—my life—will just hurt too much and I am going to become deeply depressed and I am going to feel so sorry myself for being so unlucky and I am going to feel so resentful towards you for being so lucky and I am going to sit in my cocoon-like chair and let myself sink into a almost inescapable (so far) black hole of depression.

It happens. I get depressed. And I realize it will continue to happen to me from time to time until a cure is found for my lung disease.

But I accept that it will happen.

And when it does, I will deal with it by exploiting the hell out of it.

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Oh, by the way.

Now that I got you feeling sorry for me…

How about reading [download id=”7″] and letting me know what you think of it? 😉