Butter

Butter

Boy, I want you to butter the bread.
And remember, I like it buttery.

But Dad, it’s too hard for me to spread the lard.
Can’t Sister do it instead?

Boy, it’s up to you to butter the toast.
Cuz the only way for you to learn

To do the things that you can’t do
Is to do those things the most.

So every time there is bread to butter
I want you to spread the cream.

And soon you’ll be the best bread butterer
That the world has ever seen.

~~~~

Butter is from Poem Man, a children’s book of poetry that my family and I put together, – literally put together: the poeming, drawing, covering, printing, stapling, etc. – back at the turn of the century.

I must admit, that when my children were young I had aspirations of being the next Shel Silverstein, my favorite poet of all time. While that didn’t quite work out for me, it sure was a lot of fun fooling around with children’s poetry back then when the kids, and the internet, were still young.

It’s hard to believe the original Poem Man website, circa early 2000s, is still out there. Check it out if you’re in the need of a good chuckle.

Guess I was doing Indie before Indie was cool…

Poem Man Website

Almost forgot that I’ve already exploited Poem Man some time ago, tying in a poem, or at least attempting to, called Petey Peter the Garlic Eater with my review of W. Somerset Maugham’s masterpiece Of Human Bondage.

Yeah, I know… but what the heck, right?

 
 

Kabuki.

Oh, how I love the internet and how it single-handily shrunk the globe.

Because of this magic, I recently was able to make the virtual acquaintance of an artist, a visionary artist, a German Artist!

How cool is that?

To some dude sitting in a lazy chair in a house on top of a windy and rolling hill in southern Pennsylvania, it’s pretty frikkin cool.

But the best part about all of this is not so much the magic of the internet (let’s face it, that’s old news), the best part is the all the new Art that I now am aware of and have access to.

And now I would like to share some of that magic and awareness and access with you.

The artist’s name is H SHLAGEN and he is currently working on a style of artwork that he has encompassed under the title of MY BLAKEAN YEAR, which was inspired by the Patti Smith song of the same title.

SHLAGEN’s work from My Blakean Year is evocative, to say the least. Many of the pieces evoke from me dark, haunting, beautiful images similar to what TS ELIOT’s masterpiece The Waste Land evokes.

I shared his piece entitle KABUKI for two reasons: The first being its indelible beauty, and the second being that we both share a deep love for Japan.

So celebrate and enjoy with me my new friendship with German artist H SHLAGEN and his wonderful MY BLAKEAN YEAR artwork by visiting both his personal website, where you can while away the time in mesmerizing fascination, as well as the online gallery where is work is exhibited and available for purchase.

http://hschlagen.com/
www.saatchiart.com

Peace

Poeting hard on this most poetic of days…

POETIC LICENSE

Thank God for the passionate poet
Who trumpets the sun’s morning rise

And who writes lovely, pretty sad songs
Of young lovers’s heartbreaking goodbyes

Thank God for the passionate poet
Who reaches right into the heart

To stroke it, to tease it, to please it
And sometimes to tear it apart

#NATIONALPOETRYDAY2014

~~~~

From my poetry collection Poems from the River

From Poem Man – Petey Peter the Garlic Eater

Petey Petey the Garlic Eater
Petey Petey the Garlic Eater

My review of W. Somerset Maugham’s masterpiece OF HUMAN BONDAGE reminded me of “Petey Peter the Garlic Eater,” a poem I wrote and which was included in POEM MAN, a children’s poetry book my family and I published back at the turn of the century.

Maugham’s classic novel and my less-than-classic poem both discuss, in their one ways, the important matter of addiction and dependency. In Maugham’s story, we find that, because of the protagonist Philip Carey’s love for Mildred, a love so strong she becomes his addiction (his bondage), he nearly destroys his own life. In my poem, we find that both Peter Peter’s excessive love for pumpkins and Petey Peter’s excessive love for garlic, addictions in their own rights, destroy, if not their own lives, then the lives of those around them.

Petey Peter the Garlic Eater

Petey Peter the garlic eater
Sat right behind me in class.
And if he wasn’t busy boisterously burpin’,
He was busy passin’ poisonous gas.

I couldn’t concentrate on my studies
Because of the stink he emitted.
As a result I failed all my classes.
As for graduation, I wasn’t permitted.

Now, if you’re a lover of riddles and rhymes
You might just remember his name.
Cuz his great, great, great, great, great, grandfather
Is famous for a name just the same.

But their names are their only sim’larities,
For they both liked to eat different treats.
Old Peter Peter preferred to eat pumpkins,
While it was garlic young Petey did eat.

Though I can’t imagine eating pumpkins
Unless smashed and baked as sweet pies.
But I do wish young Petey had eaten them,
Cuz his garlic breath always drew flies.

But pumpkins, too, can bring trouble.
It’s cuz of pumpkins old Peter lost a wife.
I guess if you do too much of anything
There’s a chance it could ruin a life.

It’s cuz of Petey’s stinky garlic breath
That every single class I did fail.
And it’s cuz I dropped out of grade school
That I eventually landed in jail.

But as for Petey, he invented a breath mint.
And it earned him a million or two.
And he married the great, great, great, great, great, granddaughter
Of the old lady who lived in the shoe.

In Honor of the End of the Don’t Ask Don’t Tell Policy

An offering from POEMS FROM THE RIVER, a collection of my poetry that will soon be released.

~~~~

We War

War is an ugly thing, but not the ugliest of things.
The decayed and degraded state
of moral and patriotic feeling
which thinks that nothing is worth war
is much worse.

The person who has nothing for which he is willing to fight,
nothing which is more important than his own personal safety,
is a miserable creature and has no chance of being free
unless made and kept so by the exertions of better men than himself.

~ John Stuart Mills

We war, don’t we
We warriors
We worriers for the world

You, Red Death Warrior
You mobilized
You sanitized
Purified to perform ancient rights of battles
And to stake patriot claims of fragile freedom
In hearts alien, hearts eternal,
Hearts ignorant of all you know

You know
You know

You know, noble warrior,
While you wander through the heaven of Hell
Raking the shit scattered pieces
Of bitter and broken promises
Into neat, heaping piles made ready
For the devil’s dusty full bin,
I, Warrior of The Forgotten Peace
Arming my chair of flaccid command
Long for the glory fight that I never had
The fight I will never know
The fight you will never forget

You know
You know

~~~~

I would like to congratulate and thank all who courageously sacrificed their identities, and in some cases, their lives, in order to proudly and honorably serve their nation while Don’t Ask Don’t Tell was national policy.

Rise Up!

It’s the bottom of the ninth.

We’re down and in desperate need of a two-out rally.

So what are we waiting for? Should we go
for the win and swing for the fence?

Or should we just drop our bats,
grab our crotches,
and wait?

Just wait for someone else to come along and bat clean up?

Just wait for them to come along and clean up all of the shit
our silence has created?

Should we wait?

Just wait for the president and the congress and the
governors and every other sleazy politician to knock
the dirt out of their spikes and lead the rally?

Or should we, instead, wait for Wall Street and the
chambers of commerce and the boards of directors
and the unions and even the goddamn Junior Achievers
to stop sucking each other off and let them lead the rally?

No.

I’m tired from waiting,
and I’m sick from feeding on bullshit
and shallow metaphors.

It’s time for movement.

It’s time to say to hell with our condoning silence
and rise up.

Hey you!

Yeah, you in the corner with the pencil.

You, the unassuming bard whose verse speaks in whispers.
It’s time for you to rise up and write the words that need
to be written.

It’s time for you to sharpen your pencil and to tear
and thrash at the page till it bleeds and screams out
in desperate fury.

And when your words are read the readers are shocked
and angered and filled with such passion and rage
that nipples harden and balls retract in their sacks.

So rise up!

Check your zippers and march.

Listen for the rhythm ‘cause no one is leading
and no one is following.

There’s just us.

You Me Her Him We, Each confused and disoriented but
Each coming together and marching in one
Throbbing Mass of Poetic Fervor.

So rise up!

Rub the crap from your eyes and focus.

Breathe deeply then grab hold of today and straddle it.
Dig in deep with your knees and spur the bitch till it bucks.

But be ready ‘cause when it bucks it’s gonna buck good.
And when you fall and taste the dirt don’t spit it out.

Taste it!

Chew on it and swallow.

Because that’s why we are here:
to taste the flavor of today
and determine what ingredients are missing.

So, if your heart’s not pounding
and your hand’s aren’t shaking
and you’re still just sitting on your ass
waiting for someone else to do your work,
then close your notebook and break your pencil
because you are dead.

But if You feel the Passion
and if You feel the Rhythm,
then know that it is You who will do.

You who must do.

Yes, You.

But first You must Rise the fuck Up!

Seiko

In Japan, today is the forty-ninth day since the death of my mother-in-law, “Mother,” “Okaa-san,” “Obaa-chan,” Seiko. Today is a special day where, in Buddhist ceremony and belief that on the forty-ninth day after passing the soul is no longer bound by karma, Seiko’s ashes can now be permanently interred. Unlike her funeral ceremony where many of Seiko’s family and friends and admirers attended to show their love and respect for her, today’s ceremony is a smaller, family-focused occasion.

How I wish I could be there with the family today to also show my love and respect for her, and to be closely surrounded by them all during this time.

But I cannot. So I think fondly of her and I pray for her and I pray that the pain of her passing will quickly ease for those of us who love and miss her so.

Seiko embodied and lived the values and qualities in character and of action that I wish I possessed as an individual and that I wish I had been able to live throughout my life.

I would have liked to have drawn a picture of her to include here, however, no matter how hard I try, I find that my eyes are too bad now and my hands shake too much that my efforts to capture her beauty, not just her physical beauty, for that she certainly had, and for which her daughter, my wife, also possesses in a very close likeness of her mother, but mostly it is Seiko’s spiritual beauty, which was profound and deep, that, regardless how well my eyes can focus or how steady my hands can draw, I am unable to, nor would ever be able to, capture in one of my feeble drawings.

So I share my loving memory of Seiko in a poem, a poem that falls well short of capturing the good and positive life that she lived, a life which touched and comforted so many in so many different, known and unknown, ways, but a poem which, nonetheless, comes closet to expressing my feelings and my love for her.

Seiko, may God continue to, and forever bless you with Eternal Peace, Happiness, and Love.

Like Incense, You Burned

 
Like incense, you burned
true, steady, reliably,
patiently purifying the world around you
with a bright, burning intensity and passion
and unending purpose
that only the gods could comprehend.

Like incense, you burned,
not for yourself but for life,
all of it.
You burned with love for each of us,
for everyone.
You burned with a love that transcended all boundaries
and all languages,
a love that transcended space and time.

Like incense, you burned,
and as you did
your presence permeated its surroundings
and filled it with your sweet soothing sensitive balm,
a healing balm,
a mystical balm,
a beautifully fragrant balm that will last and linger deep within the senses
and the soul of the universe
for all eternity.

SUNSHINE ON A RAINY DAY

I may occasionally write the crap, but rarely do I read it.

Poetry, that is.

And it is not because I don’t like poetry that I rarely read it, it’s because poetry, the really good stuff anyway, is so damn hard to read.

And it is so hard to read (And by “read” I mean really digging into the poem and fighting through the initial confusion and the complicated and often archaic words and trying to close the gap in time from when the poem was written to when the poem is being read by learning more about the poet and where and when and why and how he or she is from and lived and then coming to my own understanding of what I think the poem means and then trying to apply that meaning to my own life and where and when and why and how I live it. That’s what I mean by “read.”) because it takes more than a little bit of effort to read it.

I certainly don’t have time for all that nonsense.

Well, maybe I do have the time seeing that I am now diseased and disabled, broken down, reluctantly pushed over to the shoulder so I do not impede the healthy traffic flow, stranded, desperately waiting while my hazard lights blink on and off until, finally, my battery drains and dies.

I know, I know. I’m pathetic.

But yeah, I guess I do have the time, so I cannot blame my not reading much poetry on that.

Perhaps I don’t read that much poetry, then, because I just don’t have the stones for it.

Perhaps I am just not manly enough for it.

It’s funny how we, and by we I mostly mean men, especially men of the “Manly Men” variety, often regard poetry as being light and fluffy, and that if we read it too often it will make our wrists go limp so therefore it shall forever be shunned and looked down upon and laughed at by us.

Well, maybe not any longer, and maybe I never really was, but I like to think that at least there used to be a time, well before my disease(s), when I could have been considered as a “Manly Man,” even though I loved poetry. Consequently, while I now disavow most of the qualities “Manly Men” embody…at least publicly, anyway, I feel I speak with some authority on this “Manly Men” and all its rugged-individualism-FOLLOW-ME!-while-I-lead-you-helpless-followers-once-more-to-the-beach…er, I mean…once-more-into-the-breach-my-friends-just like-a-man-should thing.

Sure, there are many poems out there that are light and fluffy and that, strangely enough, tend to loosen up our wrists a bit when we read them. Nothing wrong with that at all since I consider some of that sort of poetry to be of the really good stuff.

But it seems that most of the poems that I regard to be of the really good stuff, are less of the light and fluffy sort and more of the dense and thickly tangled sort.

The really good stuff of poetry is dense (Profound) and thickly tangled (Complex), not just for Profundity’s and Complexity’s sake (Although, we all know that there are certainly many poems that are written just for the sake of trying to be profound and complex and nothing else—those poems, and poets who write them, are to be quickly forgotten and discarded. (Before you forget me, please remember me well.)), they are dense and thickly tangled because most of them are about the Essence of Life, and the essence of life is, of course—at least the aspects of life that seem to leave the biggest impact and impression on us—completely Profound and utterly Complex.

And when we do take the time and make the effort to read them and to come to our own understanding of them, we find that their profundity and complexity are so equally heavy and deep and full of impact that we are launched right into the Heart of the Void…

Ala (and this cliche of an illustration of being launched right into the Heart of the Void is used only to help you “Manly Men” best understand and relate) a Middle Linebacker barreling into an unsuspecting Wide Receiver who has bravely(?), no, innocently(?), well…, ignorantly(?), yes, ignorantly, at a minimum, strayed across the treacherously well-protected middle of the playing field.

KaPOW!

After releasing a collective Gasp!, a hush falls over the stadium as the unsuspecting Wide Receiver’s helmet rolls empty across the field.

And then it becomes even quieter as the crowd strains to see the unsuspecting Wide Receiver through the huddle of concerned footballers huddling around him as he lies limp on the field.

And then it becomes completely silent as everyone realizes that the unsuspecting Wide Receiver is no longer with them and that he has just been launched somewhere unknown to them, somewhere deep within the Heart of the Void, perhaps.

And, without having to say a word about it, the somber, quiet crowd would all agree in respectful silence, that the impact of the barreling Middle Linebacker on the unsuspecting Wide Receiver received was a little more than incidental contact.

Like football, poetry of the good stuff is a collision sport.

And to me, that makes it pretty Manly.

Heck, come to think of it, it makes it even more manly than just Manly.

In its complete Profundity and Complexity, poetry of the good stuff is so tough and hard hitting and so thoroughly encompasses and expresses the Beauty and Essence of Life that it seems even …Womanly.

Can’t get much more manly than that.

Maybe that is why some of us men try to make light of poetry and tend to ignore it.

Because we fear that which we cannot, or chose not to, understand.

Therefore, in fear, we shy clear of it, while scoffing at it to mask our fear.

So, knowing that the good stuff of poetry is so dense and tangled and difficult to understand and threatening to us, I offer you a poem of mine that is not of the good stuff and that is not difficult to understand and is of no threat to you whatsoever:

Sunshine on a rainy day

Sunshine on a rainy day
especially those without rainbows
(because rainbows have become so, well, Hollywood)
tends to turn my soul around
not in the melodramatic (Hollywood) sense
but in the universe-has-no-end sense
the sense that
I am not just another person moving and shifting within a plastic world
but instead a force among other forces that are equally important and
like the universe
without end

~~~~

More poetry that is not of the good stuff can be found in my poetry collection POEMS FROM THE RIVER