William Gay is a genius

Image courtesy of Nashville Arts

A literary one at least.

The deceased author William Gay, that is, not the former professional football cornerback William Gay.

Well, William Gay the cornerback may also be a literary genius, I’m just not aware of it.

But I am aware that Nic Pizzolatto is too a genius, at least of the screenwriting variation, as is evidenced by his hugely popular HBO series True Detective.

I watched season one of True Detective as soon as it was released, what… nearly ten years ago now.

I liked it. Maybe not as much as many seemed to have at the time, and certainly not as much as I like season two (I know, I know… I’m woefully in the minority on this one – I have never been much of a fan of Woody Harrelson’s acting, and I thought Matthew McConaughey’s character was a bit over the top), but I liked it enough to dig into the particulars of its development.

Which is when I discovered Nic Pizzolatto.

And which is when shortly thereafter I discovered Thomas Ligotti

As this highly misanthropic madman (both literally and literarily) genius author was a huge influence on NP and his creation and development of MM’s forlorn and highly misanthropic character Detective Rustin “Rust” Cohle.

TL is so down on humanity he wrote a hatefest about it in a less-than-joyful book called The Conspiracy Against the Human Race.

Come to find out there is an actual philosophical movement, however slight (hopefully), that actual believes that, for the sake of humanity, I guess, humanity needs to be disappeared.

Apparently, NP was so influenced by Tl that some/many believed he plagiarized the immensely pessimistically nihilistic author for much of MM/Cohle’s dialogue.

I can understand why (while imitation might be the sincerest form of flattery, I do not condone plagiarism of any stripe), TL’s short stories are some of the most awesomely horrific stories I have ever read/listened to, and I truly appreciate NP for turning me on to the human depressant…

Although, to date, I have not yet been able to make it all the way through his anti-humanity book. It’s too depressing, simple as that.

Incidentally, during Joe Rogan’s last interview with Elon Musk recently, I was surprised to discover, seeing how well informed they both always seem to be, that neither of them seemed to be aware of TL or of his influence on NP or of the whole down with humanity philosophy as they first heard about the Voluntary Human Extinction Movement in a less than recent New York Times article entitled Earth Now Has 8 Billion Humans. This Man Wishes There Were None.

Rogan probably has heard of it before but as much dope as he smokes and as old as he’s getting to be, he probably burned out the brain cells responsible for recalling that information.

Anyway, long story short…

Or have I missed that bus already?

Anyway, for some reason I forget, a few weeks ago I mentioned to my son that I enjoy season two of TD much more than season one.

(Season three isn’t even in the discussion as it is immensely forgettable. And from what I’ve seen of the upcoming season four, it looks equally immensely forgettable.)

My son was shocked at my (poor) taste and went on to pan season two and praise season one, as do most.

So, I figured, since I’ve already watched season two three times, I might as well give season one another shot, seeing that it’s been nearly ten years since I last watched it.

And I recently finished rewatching it.

And I still enjoyed it, probably more because this time around I was familiar with TL and his work and the insight from it was appreciated.

And though I still prefer season two, I still liked season one enough once again to once again look up ol’ NP to see if he has been up to anything new.

Didn’t really discover anything new by NP that interested me, but I did discover this old Buzzfeed article that interested me greatly, as it lists all the literary influences of NP’s that went into the development of season one.

And it was from this article that I discovered William Gay.

The author, not the cornerback.

And I cannot believe I have never heard of this good ol’ boy literary genius before.

And by good ol’ boy, I mean that was one dude whose neck was severely reddened. Crispy, if you know what I mean*.

The good ol’ boy literary genius

I just finished listening to his collection of short stories called I Hate To See That Evening Sun Go Down.

Never had I read/listened to a collection of short stories where ever single story is as completely fantastic as these are. Especially in a collection written by just one author.

Because my eyes are shot because of the side effects from my bone marrow transplant of so long ago, I listen to books now more than I read them.

Consequently, I have a pretty good ear for great narrators. Great as defined by me anyway.

The narrators for this collection are Christine McMurdo-WallisTom StechschultePete Bradbury, and Richard Ferrone, and they all are pitch perfect for their respective stories.

Tom Stescschulte has been a longtime favorite of mine and this to me is the best work he has ever done.

So, yeah, once again I must thank NP for turning me on to yet another amazing author.

And I hope I’m wrong about season four. I’m a fan of Jodie Foster so I hope she pulls it off.

So, that’s the short story long of it.

Oh yeah!

Since I’ve already missed the short bus, let bring up one last thing…

I’ll make it fast – punctuation be damned.

If you are a fan of audiobooks like I am but are not a fan of Audible’s expensive subscription like I am – the only reason I started my subscription back up recently is because I was offered and I accepted a one-month free promo (which they are betting I will forget to cancel but which I marked my calendar so to hell with them I won’t fall into that expensive trap) – then you must be estatic like I am that Spotify is now offering audiobooks for those who are subscribed with a premium membership like I am and all the books I have on my audible wish list are available on spotify as are many many more and my TBLT (to be listened to) list is so long now I probably won’t finish it until I’m in my eighties, which, sadly, is almost as close as my forties are far away…

Yeah…


*Apologies for the stereotype but, dagburnit that dude is one countrified dude. Not that it’s a bad thing, it’s just, well, you know how the stereotype goes…

Arthouse Films in general are nutty…

But Arthouse Horror Films are, if you’ll excuse the vernacular…

Off the mother fn nutty hook, yo.

And thank god for that.

Been on an arthouse horror film binge lately from a dire and desperate need (yeah, I like redundancies so what of it?) to clear the palate of that rancid franchise aftertaste.

Watched this lovely gem last night and I hope someday when I grow up I will be able to create something so horror(-fully?)(-ibly?) masterful…

#amwatching
#offthehooknuttygemsofarthousehorroryo

Once Upon a Time in Hollywood – A Review by Fast Film Reviews

I was going to write my own review for the meandering mess of a movie called Once Upon a Time in Hollywood, but after yesterday’s disaster of a review I just didn’t have the heart… or pain tolerance… to write another one so soon. And let’s face it, you know and I know writing reviews isn’t exactly my forte, so…

Instead I decided to reblog for your entertainment and instruction this wonderfully written and compelling review of the flick written by popular film critic Mark Hobin of Fast Film Reviews. It’s a wonderfully written and compelling review that also happens to mirror my sentiments of the faulty flick near spot on.

Read, heed, and enjoy…

Superpowers Activated

In the process of magically transforming my novel into a screenplay…

So as I continue to work the mysterious magic of turning the words from the pages of my most recent novel into words on the pages of what will hopefully soon be my most recent screenplay (with the ultimate and even more hopeful goal of magically turning those words from the screenplay into magical images on a screen), I am tangentially listening to a screenwriting howto book by Viki King with the impossibly-sounding title of How to Write a Movie in 21 Days: The Inner Movie Method [about]

I’m just about done with the book and when I am it will have been the third screenwriting howto book I have read.

The first two, The Screenwriter’s Bible [about] and Save the Cat [about] I own; the one I’m reading now, I borrowed from Overdrive.

And you know what…

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Depressing Pasty White Boys Playlist for Melancholic Moods and Writing Inspiration

So, the past couple weeks I’ve been in a last-minute frenzy (the best way I find to write) to finish the screenplay for a feature film version of Leave.

Yeah, we’re now – no jokin’ – just days away of getting Leave, the short film version*, in the can and we will soon be submitting the production (and let me tell ya, it’s been one hell of a production (to say the least)) to all the various and sundry film festivals throughout the lands near and far.

And, as we’re all hoping (I know, I know all you hardcore military grunts – HOPE IS NOT A COURSE OF ACTION!), and some of us are even borderline expecting, that there will be some interest after seeing the short film from the moneyed movie moguls who will be out there cruising all the various and sundry festivals looking for their next feature film project…

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The Irrepressible Nature of Irony*

Or, Nothing Is As It Appears To Be

If you were to do a search on my site for the word “irony” — and why would you? — but, if you were to, of the ten results you would receive, the first three would have the word “irony” in their heading, so it’s easy to see why they would be pulled up in the search; but as far as the other seven, it’s been so long since they were written that I have no clue why they were pulled in with the results, except for maybe the eighth one: it’s a post about Radiohead allowing fans to pay whatever they want for their latest release at the time. There’s probably a decent amount of irony to be found in that one.

Anyway, of the first three positively ironic posts pulled in the search, they are:

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