Arthouse Films in general are nutty…

But Arthouse Horror Films are, if you’d excuse the vernacular…

Off the mother fn nutty hook, yo.

And thank god for that.

Been on an arthouse horror film binge lately from a dire and desperate need (yeah, I like redundancies so what of it?) to clear the palate of that rancid franchise aftertaste.

Watched this lovely gem last night and I hope someday when I grow up I will be able to create something so horror(-fully?)(-ibly?) masterful…

Continue reading “Arthouse Films in general are nutty…”

Once Upon a Time in Hollywood – A Review by Fast Film Reviews

I was going to write my own review for the meandering mess of a movie called Once Upon a Time in Hollywood, but after yesterday’s disaster of a review I just didn’t have the heart… or pain tolerance… to write another one so soon. And let’s face it, you know and I know writing reviews isn’t exactly my forte, so…

Instead I decided to reblog for your entertainment and instruction this wonderfully written and compelling review of the flick written by popular film critic Mark Hobin of Fast Film Reviews. It’s a wonderfully written and compelling review that also happens to mirror my sentiments of the faulty flick near spot on.

Read, heed, and enjoy…

Fast Film Reviews

once_upon_a_time_in_hollywood_ver7STARS2.5A new Quentin Tarantino film is an event.  Once Upon a Time in Hollywood has been billed as his ninth picture.  So apparently Kill Bill Vol 1 and 2 are now considered one film.  The auteur has declared his plans to retire after he has made 10 total.  Much of the critical establishment has worshiped at the altar of this much-lauded filmmaker.  Personally, I haven’t always been a fan of the way he succumbs to his excessive impulses.  His last production, The Hateful Eight, was a mean-spirited tale of truly reprehensible individuals.  To its credit, Once Upon a Time in Hollywood is decidedly more good-natured.  It’s a tale that longs for a bygone era.  But that isn’t for the Golden Age of directors like William Wyler, Frank Capra, and George Cukor.  No Tarantino reveres the men of 1960s Hollywood like Sam Peckinpah, Sergio Leone and John Sturges who made…

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BERBERIAN SOUND STUDIO — A Review of Sorts

BERBERIAN SOUND STUDIO
FILM | MOVIE | BRITISH | HORROR
WRITER: PETER STRICKLAND
DIRECTOR: PETER STRICKLAND
STARRING: TOBY JONES
IFC FILMS UNLIMITED
RATING: ★ ★ ★ ★ ★


If Kafka were to have written movies…

He would have written a movie like Berberian Sound Studio.


Now if you know me, you know that calling a movie Kafkaesque, and calling this movie Kafkaesque is an understatement, is all I really need to say about it since, you know me, I am pretty much a slave to anything ol’ Franz has put to paper.

But I’m also a slave to the word count so, for the sake of it, I guess I should say a few things more.

Continue reading “BERBERIAN SOUND STUDIO — A Review of Sorts”

A Life Not Lost In Time…

Very sorry to see that the great Rutger Hauer has passed. He was one badass mofo on the big screen and in life; and he killed it in Blade Runner, one of the most badassest films ever.

Actually one of the roles of his I liked almost as much as Roy Blatty was his portrayal of the quirky faerie Niall Brigant on HBO’s True Blood. The show itself was pretty goofy but Rutger was brilliant in it.

Dang, it seems like everyone is going to die eventually, doesn’t it…

Anyway, HEAVY.COM has a pretty good write-up about him if you’re looking for one.

#riprutger


Featured image courtesy of HEAVY.COMM

Hurts so good…

House of the Rising Sun – A Review of Sorts

So, last night was a night just like any other night where, at 8pm(ish), I shifted the butt from the office chair to the recliner and happily fired up the new Fire Stick (a Prime Day upgrade (half-price and 2 free months of HBO!) from an old stick that had been rode hard and put away wet if you know what I mean) and the big screen and, with much hope and anticipation, began yet another heroic search through the multitudinous movie apps for something fun and entertaining to watch for the night.

You feel me?

(I recently finished watching The Wire (for the third or fourth time, can’t exactly recall) so I’m still feeling a bit Omar-esque. Hence the, “You feel me?,” if you know what I mean).

Long story short, it wasn’t long before I surfed upon a flick starring Dave Bautista and immediately had to put on the brakes.

Continue reading “Hurts so good…”

Born to Be… #EasyRider50

I was a month and seventeen days shy of my fourth birthday when Easy Rider premiered fifty years ago yesterday, so, unfortunately, I cannot provide any personal insight of the actual groundbreaking event.

In fact, it would be another twenty years or so until I finally saw the flick.

And then another thirty years or so would pass until I at last watched it again…

Which brings us to yesterday when I watched it in honor of its golden anniversary.

But it’s not like I’m a fanboy of the flick or anything…

Continue reading “Born to Be… #EasyRider50”

LEAVE is live on Amazon Prime!

Well, after a long, sometimes arduous, journey beginning way back in the summer of 2015, my vessel of a short film LEAVE – based upon my short story of the same name – has found its homeport at Amazon Prime and is now available to be viewed for free by all… provided you are either a U.S. or U.K. Prime subscriber. If not, then it will cost you a mere buck/pound or two to watch it.

Continue reading “LEAVE is live on Amazon Prime!”

The Long Road to Cali


 

#believeinleave >> PLEASE DONATE

 
 

LEAVE IS LIVE! | PLEASE DONATE & SHARE

This is it, my friends. The moment I’ve been waiting for where things finally begin to get real for me.

And by real I mean from now until the end of the filming of LEAVE at the end of October, it looks like it’s going to be one mad rush of new and exciting experiences.

Awesome.

I would like to introduce you to the cast and crew of LEAVE. For now, you may see them and everything LEAVE is about here >> LEAVE: A Short Film.

After things slow down, I will introduce them to you personally here.

I would also like to thank all the good folks who donated to my website campaign here. Please check out the list and try to support them as awesomely as you support me. That campaign has officially ended and all donations will now be managed through IndieGoGo. I will use the funds raised here to get me across the country. I’m so grateful for the support.

I will introduce my final website donor to you, Author Anna Kopp, on Friday, October 14, 2016. Her work looks amazing. Stay tuned!

Today, I am heading on an anniversary getaway to New England with my lovely and loving wife. Shortly after I return I will get on the road again with my sons and drive cross-country to LA for the filming LEAVE.

I’ve decided to fire up my barely-used Instagram account and, beginning today as I head to the hood of some of my favorite authors, I will be photo-blogging my journey along the way and during the filming. Please follow along if you’d like (icon on the sidebar). I would love to have your company.

Cool?

Ice cold!

LEAVE: A Short Film

 
 
LEAVE, A Short Film

#OscarsSoWha??

What a night at the Oscars, eh?

Big night for diversity and sexual assault awareness.

While it’s no longer cool for us to say “boys will be boys”… I believe it’s still within the legal PC bounds of good taste to say “Chris will be Chris.”

He did a pretty good job of calling out all the major inequality themes re: Hollywood that’s been on everyone’s minds and tongues for the past few months. Though he did go a little easier on the Establishment and a lot harder on Jada than I expected.

I thought his most pointed call-out wasn’t a race issue but a gender equality issue when discussing the absurdity of having both a Best Actor and a Best Actress category. “It’s not as if they are running a track and field event and Robert De Niro has to say, ‘Whoa, I better slow down my acting so Meryl Streep can catch up…” It’s worth your time to search for and watch Rock’s opening monologue. It should be easy enough to find.

I was pretty bummed when Lady Gaga didn’t win the award for Best Song (or whatever the official nomenclature is) after her highly emotional and powerful performance of “Till It Happens To You.” But when Sam Smith gave his amazing acceptance speech calling on for equality and encouragement for the LGBT community I was like, okay… he’s cool.

But to me, Lady Gaga’s performance was definitely the highlight of the night and one of the most moving performances I’ve seen in a while. At least since her performance of the US National Anthem at the Super Bowl… which was also quite impressive. She’s quite the talent, that’s for sure.

As far as the movie stuff goes, I can’t really comment much because until I see the Oscars I never realize how many movies I haven’t seen throughout the year.

I’m happy and unsurprised that Leo won for Best Actor. Pretty impressive speech he gave re: The Environment. Of course it was a given he would speak about environmental issues knowing how passionate he is about the subject. And it also makes sense to discuss it seeing how critical Nature was to the success of his film. [See: The Revenent: It’s Really Good (for a laugh)]

I’m less happy that Tom Hardy did not win Best Supporting Actor and very surprised that, if Tom didn’t win it, they didn’t just give it to Sly Stallone for sentimental reasons (it certainly wouldn’t be for any acting reasons). As a former Intelligence Community (oxymoron, I know…) guy, I have been meaning to see The Bridge of Spies so I cannot judge the dude who did win. I cannot even judge him based on his past performances because I don’t even have clue who he is (although there is a tinge of familiarity so I’m sure I’ve seen him in this or that).

As for Best Actress… didn’t see “The Room” or is it just “Room,” but just based on the clips shown Brie Larson looks like a worthy winner. As for Best Supporting Actress… didn’t see “The Danish Girl” but Alicia Vikander is definitely the “It Gal” of the moment so I assumed she would win.

While Mad Max swept all the technical and nitnoid whatnot awards, I thought for sure The Revenent would sweep the Big Three. It got two with Alejandro González Iñárritu winning Best Director (two years running now), and Leo’s win, but missed on the biggest of all.

Haven’t seen Spotlight, the winner, yet. I’m still waiting on it to hit Redbox and then I’ll have to wait until Redbox texts me a free movie night before I do. Yeah, I’m cheap like that.

As far as the presenters go… it seems that there is a budding bromance between Russell Crowe and Ryan Gosling. They were quite funny together and could make a pretty good living as a comedic duo.

And did anyone else get confused between Kate Winslet and Patricia Arquette? Did they look like copies of each other because they were sharing the same pair of glasses? Or are they secretly Pond Crossing Twins?

Speaking of Patty Arquette, you should check her out on twitter and see the work she’s doing with the #EqualMeansEqual documentary that is in the works. As you probably know she’s a major, outspoken proponent for Women’s and Gender Equality Issues. She believes because she called out Hollywood last year in its poor record of equality in pay between men and women that she has lost several potential acting gigs from it. Check out the good stuff she has going on at @PattyArquette at the tweet machine.

As typical, Sasha Baron Cohen provided the most cringe-worthy moment. His “Ali G” skit is no longer fun(ny), as it now comes off to me only as being stale and rather desperate.

Still, all in all I thought The Oscars overall was a great show. One of the most entertaining in a long while.

I’m really looking forward to seeing what impact all the awareness to diversity this year will have on next year’s nominees.

Aaand… that’s a wrap.