The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge. Whether it is obscuring state language or the faux-language of mindless media; whether it is the proud but calcified language of the academy or the commodity driven language of science; whether it is the malign language of law-without-ethics, or language designed for the estrangement of minorities, hiding its racist plunder in its literary cheek – it must be rejected, altered and exposed. It is the language that drinks blood, laps vulnerabilities, tucks its fascist boots under crinolines of respectability and patriotism as it moves relentlessly toward the bottom line and the bottomed-out mind. Sexist language, racist language, theistic language – all are typical of the policing languages of mastery, and cannot, do not permit new knowledge or encourage the mutual exchange of ideas…
There’s a rather talkative pigheaded brute of a character in my WIP whose name is Rick, Happy, Henderson. Happy loves to philosophize and pontificate to…at?… his work partner about whatever the latest topic is he’s studying during night school as if he’s now a subject matter expert. He’s not of course and he always manages to maneuver whatever it is he’s rambling on about toward a general diatribe of how the weak with their Rule of Law and “societal norms” have managed to upend the universal natural order of might makes right, which, in the end, as he sees it, limits his ability to pick up chicks.
ALT BEST PICTURE: I’ve only seen one “Best Picture” nomination — “Arrival” and I thought it was mostly Zzz… — so out of all the 2016 movies I have seen, not just those nominated, which still are only a handful… or, would it be an “eyeful?”…my Alt-Oscar for Best Picture of 2016 — and which is one of the best flicks I’ve seen in a loooong time — goes to:
I may occasionally write the junk, but rarely do I read it.
And it is not because I don’t like it that I rarely read it…
It’s because it, the really good stuff anyway, is so durn hard to read.
I’m talking Poetry here…
Poetry with a big, bold capital P.
And it is so hard for me to read (And by read I mean read. I mean really digging into the poem and fighting through the initial confusion and the complicated and often archaic words. I mean, not just reading the poem, but studying it and trying to close the gap in time from when the poem was written to when the poem is being read by learning about the poet and where and when and why and how he or she is from and where and when and why and how he or she lived and then coming to my own understanding of what I think the poem means and then trying to apply that meaning to my own life and where and when and why and how I live it. That’s what I mean by read.) because it takes more than a little bit of effort to read it.
I don’t know about you, but as for me – unless it is absolutely critical to the movement of a story – I don’t need to always know every item in each room, or the style and brand of every shoe in the protagonist’s closet… and I especially do not need to know about the mole on the back of the least minor character’s left ear.
Now, the genius of authors such as Balzac, Dickens, and Twain cannot be denied by me; however, I often find their attention to detail excessive and rather tedious for my overly sensitive reading sensibilities.
I know, I know… It’s me not them.
But I’m the kind of reader dude** who enjoys employing as much as possible of my own personal image making machine, aka, my imagination, along with my thought processing gyrator, against a story’s plot, or lack thereof; and when it comes to a character and his or her physical appearance and personality traits, I prefer for them, through the details found in the story’s showing, to slowly emerge within that enveloping zen-like midst of verisimilitude (that I hopefully find myself in) until he or she can be seen standing clearly before my mind’s unblinking eye, fully developed and fleshed out.
So it should come as no surprise then when I tell all you other reader dudes*** that I try to write my stories in the way that I prefer to read them: with limited and only absolutely necessary descriptive telling.
For example, you will find that the book description for The Sea Trials of an Unfortunate Sailor reads in part:
Written with a narrative starkness, it leaves us with only our own prejudices and stereotypes to draw from and forces us to make assumptions about character and identity, and, in the end, determine not just who did it but if it was even done at all.
Admittedly, this book was written intentionally with a “narrative starkness,” not so much because starkly written books are the kind I like to read most, but because its starkness is used as a device to make a sad but painful point about the military’s failed and former Don’t Ask Don’t Tell policy.
I was navy Equal Opportunity Advisor during DADT’s salad days and the crux of my job at the time was to travel around the Western Pacific to facilitate training seminars and focus groups in an effort to educate sailors on how to legally administer and execute the confusing and harmful policy.
As you probably already know, prior to the implementation of DADT, homosexuals were prohibited from serving in the military. With DADT – which was a compromise between Bill Clinton, who wanted to allow homosexuals to serve with no restrictions, and the military’s top brass, who wanted to continue barring homosexuals from service – homosexuals were allowed to serve in the military… provided they did not discuss their sexual orientation with anyone nor have any homosexual relations whatsoever. Additionally, no service member was allowed to ask any other service member what his or her sexual orientation was… hence the infamous moniker don’t ask, don’t tell.
A pretty cruel policy, to say the least. However, it was rather cut and dry. Not so much confusion with it on the surface.
The problems that came about with the policy was a result of when service members started taking action based on their homophobic perceptions and stereotypes.
For instance, some sailors were harassed, abused, and, sadly, even killed because they were perceived to be a homosexual based on the way he or she talked, or walked, or, while in civilian attire, dressed.
And while that’s tragic in and of itself, additional problems were often caused when these illegally and harmfully harassed sailors attempted to tell their chains-of-command about the harassment and the COC, instead of seeing these attempts as pleas for help, saw them instead as admissions of homosexuality. As a result, many sailors were wrongfully kicked out of the navy because of the ignorance and bigotry of those who were supposed to protect them.
It was very distressing to me whenever I heard of any instance of it happening. However, it was highly rewarding for me whenever I had the opportunity to get in front of a group of senior leaders and help/make them see the light as to how to effectively execute and administer DADT and to warn them about the problems they could get into for wrongly processing a sailor out of the service.
While I am very happy that DADT was finally axed and homosexuals are now allowed serve without any restrictions to their being, it was all of that nasty DADT stuff that became the impetus for me writing my novel.
And my goal in writing it was to force the reader to have to apply his or her own values, via perceptions and stereotypes, upon the characters in and events of the story. Consequently, it was important for me as a writer to not tell the reader what I wanted them to think by way of character description, but to allow them to draw their own conclusions.
I hope the story does this effectively. I guess the results can be found in the book’s reviews.
I was reminded about all this the other day when I read an article by The Atlantic entitled “The Case Against Colorblind Casting.” It is a very well-written and informative piece about the challenges Hollywood has casting non-white actors and how “colorblind casting,” while admirable in its goals, is not a sustainable means to diversify the films we watch. The article highlights as an example, the recent success of Oscar Isaac, Hollywood’s current It and Everywhere Man, who, just so he would have a better chance at not being type-cast and at being able to land “ethnically flexible” roles, chose to drop his last name of Hernández.
Sure, performers have and probably always will “alter” their names to one that they feel is best received by their fans; however, having to do it just to appear “less ethnic,” reminds me of the movie “La Bamba,” where it shows how the singer Richard Valenzuela was compelled to assume the less ethnic-sounding stage name of Ritchie Valens so that he could better appeal to his white audience.
That was sixty years ago and I’m sad to report, as is evidenced by our latest Hollywood star Oscar Isaac, that it’s still happening.
Man, oh man***…
This equality stuff sure is a difficult nut to crack – witness the all-white Oscar nominees for this year’s Best and Supporting Actors/Actresses – and I’m not about to attempt to try and crack it here.
Except to say that screenwriters can certainly have a hand in keeping an open playing field for actors of all races and ethnicity by – you guessed it – laying off the descriptive details in their screenplays and leaving it up to the director to cast the best actor for the role based on the story’s content and need and not on the screenwriter’s biases.
Of course, a more diverse field of screenwriters would be most beneficial to making a crack in that nut…
You may not have noticed, but I am a very white dude**… pasty even. Even still, for what it’s worth, when I adapted my short story “Leave” into a screenplay, I wrote it so the only true limitations in casting should be because of gender – and there’s just no getting around it – there are distinct male and female roles that are critical to the story’s telling, as it is a story about the bigotry faced by the first women allowed to serve on navy combatant ships.
But as far as casting for the roles for the screenplay’s mostly bigoted and sexist male characters and a few exemplary female characters… race nor any other physical trait, apart from one that would prevent someone from being accepted into the military, should not matter to the director who will be doing the casting.
Now, I doubt my starkly written, diminutive screenplay will go far in the effort to crack Hollywood’s White Nut problem… but that’s all I got for now.
Still, I’m really looking forward to beginning the process of creating this film. And, while things are a long way from definite right now, you may just be surprised by the talented actors who already have expressed an interest in being part of the production.
I can’t wait until we reach the point where I can share it all with you.
Until then, as we say in the business…
*Yeah, I know “uncolorful” is not a real word, whatever a real word may be, but I it sounds less negative to me than “colorless” so, for what it’s worth, I’m going with it.
First off, I’m not anti-Second Amendment (if you’re an American (of the U.S. persuasion) and you don’t know what the Second Amendment is then that’s a problem)…
See, I live out in the sticks and I had to call 911 once because I thought there was a gas leak somewhere in my house and all I got to say about that experience is that our military overran countries faster than it took the emergency responders to get to my house.
It’s not their fault – I just live out in the sticks.
Heck, I found out then that I can’t even call my 911 operator direct. My 911 call goes to somewhere across the border and that operator has to re-direct it back into my state to a different operator.
I can only wonder what would have happened if that 911 call wasn’t for a gas leak (a false alarm, fortunately) but for a home invasion instead?!
You can feel me, right?
So yeah, I’m all about owning a gun as a means of protection of last resort.
But then again, I’m a nice guy.
I can be trusted with a gun.
When I say I am a not a gun-slingin’, trigger-happy nutjob with “adequacy issues” you can take my word for it…
But as for the rest of you all…
I’m beginning to wonder.
What the heck is going on out there?
Unfortunately, it has become my unfortunate belief that we, as a nation, are now just too mean and too rude and too disrespectful and, most dangerously, too short-tempered (what’s up with all the road rage?) to have so many guns – both legal and illegal – locked and loaded and at the ready out there, just itchin’ to mediate our every issue and altercation, however slight.
Something has got to change.
I mean, come on… There were over 11,000 murders committed with a gun in 2013 (according to the Centers for Disease Control (via Wikipedia)).
That’s a lot of humans made dead from mean assholes with guns.
So if we, as a citizenry, are so danged mean and so danged armed, just think what it must be like to have to try to police all of us in an effort to maintain good order and discipline in a society where that kind of anachronistic, Mayberry-like behavior is now shat upon.
Nowadays, it must be pretty darned scary to be a cop.
No wonder they all jack themselves up like Special Forces operators gone wild.
Have you seen some of these Rambo cops?
In-f’n-tense, they are…
It’s hard to believe – and even sadder – that it takes so much firepower to patrol our streets.
Seriously, we have an Intra-Arms Race going on between we angry civilians and the feeling-threatened-and-under-fire Po po, you know, the overly-aggressive-stoppin’-and-friskin’, tank-drivin’ Five-Oh.
And then when you throw race into the mix of a messy situation where the police are a majority of the time of a majority skin tone and the citizenry they are bringing their good order and discipline to are of a minority skin tone…
These days someone usually ends up shot.
Just like last night at the protests in response to the first anniversary of the Michael Brown killing.
Look, I’ve written about these things here before and, like then, I don’t have any answers.
But when it comes to race and racism, I do know, despite what my Merriam-Webster dictionary app says, racism is all about power and who has it.
And the fact is, White male Anglo-Saxon Protestants have and, for the foreseeable future, will continue to have the power in this country.
For the record, here is what my app says racism is:
1: a belief that race is the primary determinant of human traits and capacities and that racial differences produce an inherent superiority of a particular race
2: racial prejudice or discrimination
Now, I don’t disagree with what the app says, but in the national grand scheme of things, whose racism is going to hurt more – a WASPy dude’s* or a Black female’s?
Sure it may hurt our WASPy dude feelings that others not like us don’t like us just because they don’t look like us because they are racists of the first or second order, or both. But overall that’s all their racism will do to us – hurt our Privileged and Guilt-ridden White feelings.
Unlike our racism, theirs won’t keep us out of a job.
Or out of a loan.
Or out of a home…
Their racism just doesn’t have the power to do all that harm like ours does.
And sorry to burst your bubbles white racist females, you may think you’re superior to others because of your skin tone, but thanks to our historically patriarchal and sexist society (a subject worthy of a post of its own), you just don’t have as much “clout” to harm as we WASPy dudes have.
Man**, this is depressing.
What is most depressing about it all is how it all feeds off of each other…
The racism increases anger.
The anger increases violence.
The violence increases fear.
The fear increases gun sales.
The gun sales increase death rates.
The increasing death rates increase police presence.
And on and on…
Like I said, I have no answers.
But I do have a voice…
And, for what it’s worth, here I am using it to, if not provide solutions, at least discuss the problems.
This entire unfortunate, depressing post reminds me of that intense scene from the movie Grand Canyon, starring Danny Glover and Kevin Kline, where Glover’s character, a tow truck driver, comes to the aid of…
Ah, what am I trying to explain it for? Just go ahead and watch it…
And remember, Being Nice is a skill that, to be effectively employed, must be continually practiced.
(Okay, the following intro paragraph is going to hurt a bit. Just look at that thing…one big blob of a block of text. You may want to grab yourself a cuppa of whatever it will take for you to keep the eyelids propped up for about fifteen sentences cram packed with pedantic pain. Are you ready for all that? Are you sure? All right, don’t say I didn’t warn you…good luck.)
On my About page I mention something to the effect that I consider myself somewhat of an human relations guy. I mentioned that for a several reasons. One being that I really enjoy humans; I don’t always enjoy being around them in close and confining proximity so much as I enjoy observing them, scientific like…from a safe and considerable distance…with multiple escape routes just in case things go sideways without notice like they so often do whenever a human is involved in the equation. And another reason I consider myself as a human relations guy is because I gots that paper that says I am. In addition to an undergrad degree in English, which I believe is fundamental to just about all I have become, good like and bad like, because it instilled even deeper into me than it was prior, which was already pretty deep, a love for literature and an appreciation for the language it takes to paint a story, which usually involves humans. But I gots more paper props, too. At about 2/3rds the way through my navy career, I got a little bored with my primary gig – telecommunications – and I looked for a way to take a break. I found that break by volunteering and qualifying for a three-year stint in a, go figure, human relations gig where I served as an Equal Opportunity specialist. To qualify, I first had to attend three-months of intensive, so called, sensitivity training (a misnomer because instead of being sensitive to my feelings, it exposed them and ripped off their calloused protective scars and scraped over them until they were bloody and raw), where I learned about how much of a turd white males have been throughout the United States history, and before. It was a very tough, but wonderfully enlightening, three-months. And finally, to top off my ice cream claim to my human relations affinity is a cherry of masters degree in, go figure, Human Relations.
So why did I just put you through all that?
Because I need your help.
And the reason I am asking you for your help, is because, even though I’ve had considerable experience of and in the field of human relations, I still don’t feel I am the one most qualified to do what it is I want to accomplish here.
But I think you are.
I think you know much better than I about what it is like to be a woman in this somewhat of a misogynistic world, or to be a person of color in this somewhat of a racist world, or to be a homosexual in this somewhat of a homophobic world…
Yeah, you know…
So I was wondering, knowing all that you know about all you’ve learned and experienced while maneuvering through this difficult and sometimes dangerous obstacle course called life, would you please help me please?
I am very honored and excited to share our very first submission to the new Relating to Humans feature.
Before we get to the submission, however, I would like to say a few words by way of introduction.
You know, I am a writer, which means…I’m insecure. I am. Every time I hit the “Publish” button to release my stuff out into this wild world, I get more than a little apprehensive wondering if it’s going to be well received, or not. Such was the case when I put this new Relating to Humans feature out there. I was a little nervous, wondering if anyone would take it seriously; if anyone would care to participate.
Which is why I am so honored and excited to be introducing you to the poetry of becausethisishowisaythings. She, with her one submission, helped to validate what this new feature is all about.
Becausethisishowisaythings is a fearless twenty-year old (fearless as is evident by her willingness to participate in this new venture of ours), and her poem is an honest expression of how she feels about being a woman.
I am confused.
I am a woman, a girl, a female…but I am not very feminine.
My mother tells me to wear prettier clothes. My sister asks if I’m a lesbian.
If I’m a girl, does that mean I have to wear pink, do I have to wear flowers in my hair and make-up on my face, all to convince you that I’m a girl, that I’m a woman?
Do I have to wear revealing clothes and get drunk on vodka to attract a man,
a boy, a male?
Do I have to feel afraid of sex?
Should I feel guilty for being honest, and not a bitch?
I am a woman, I know this, but it seems other people aren’t so sure.
I don’t know if I’m a feminist, but I know what I want to be.
I want to be strong, to be attractive, to be sensitive, to be accepted, to be understood.
I want to be a good person.
A person. Not a label.
I am a woman, I am a girl, a female…but don’t try to label me with these things.
Yeah…I went to read over it again this morning, before my coffee had a chance to bake in…not good.
That sucker’s so long it makes the Great Wall of China look like the Just Above Average Wall of China…
It’s so long it looks like I’m getting nothing but sympathy “Likes” on it. You know those kind of “Likes”…if I “Like” it, maybe it will then just go away…
But what I’m trying to do with the post is important to me so I’m compelled to shorten things up a bit so you can actually finish reading something of mine in at least one sitting.
So, to reiterate what I reiterated way too many times in the original post but what you probably managed not to read anyway, here are the key points of what is so important to me and what I would like us both to do:
1. Like this or/and the original post
2. Follow this website
3. Subscribe to my newsletter (this is key…I know, everyone hates to do this but please do)
4. Purchase my short story LEAVE
5. Write a smokin’ hot review for it
1. Finish reading and reviewing HANDS OF EVIL
2. Pick the best smokin’ hot review of LEAVE
3. Ensure author of smokin’ hot review meets all eligibility requirements
4. Purchase a book or story of author of chosen smokin’ hot review
5. Read the author’s book
6. Review the author’s book
7. Publish the review of author’s book here
8. Publish the review of author’s book at Amazon
9. Publish the review of author’s book at Goodreads
10. Publish my review of author’s book, the author’s review of my short story, and an accompanying author profile, in my newsletter (<–click to subscribe).
(Since newsletters are probably the best way to engage with your readers, I strongly encourage all of you to fire one up, as well. If you do, let me know. I’d be happy to subscribe. (: )
I am always receiving feedback from readers of my so-called “navy stories” that initially the readers were hesitant to read them because, let’s face it, who really cares about what’s going on in the navy. Aren’t they the kind of stories that only a certain kind of people, sailor people perhaps, would only want to read?
My answer to that is, sure these are stories with a navy setting, but they aren’t necessarily about just navy things.
Because all this is so fundamental to who I am, I have been planning to discuss all this much more in depth later, but in my About page I mention that I consider myself a Human Relations kind of guy. I believe I am qualified to say that because I spent a good chunk of my life studying humans…
I spent three months at the Defense Equal Opportunity Management Institute for some hardcore Diversity and EO training.
I was then certified as a Navy Equal Opportunity Advisor, where I worked daily managing EO issues and providing EO and Diversity training all throughout the navy’s Western Pacific operating area.
And, I have a masters degree in Human Relations (go figure).
So my “navy stories” are mostly about what most stories are about — humans and how we relate with each other. Which is often, not so well.
And these stories specifically put a special emphasis on those difficult relationships…relationships dealing with sexual orientation and race and gender issues and our perceptions and stereotypes of them and the harassment and harm we sometimes inflict on each over them.
So yeah, these stories, most of which you can read online for free right here, are navy stories in the sense that that is where they are set. . .
But it was my intent and my hope that they be stories that transcend way beyond just the navy and right into the heart of all of us.