THE GOOD KILL – A Storyline Checklist

    • Battle weary Navy SEAL    ✓
    • Fearless, kickass women    ✓
    • Corrupt corporate moguls    ✓
    • Conniving Russian agents    ✓
    • Ruthless ISIS terrorists    ✓
    • Cold-hearted pimps    ✓
    • Low-life sex traffickers    ✓
    • Evil henchmen    ✓
    • Traitorous scum    ✓
    • Dark Web hackers    ✓
    • Cool cars    ✓
    • Luxurious yachts    ✓
    • High-speed chases    ✓
    • Heartless violence    ✓
    • Brutal redemption    ✓
    • Love    ✓
    • Romance    ✓
    • Kittens        

#mysteries #suspense #thrillers

It’s Deja Vu All Over Again: TREE OF SMOKE by Denis Johnson, a Review (of sorts)

As I sit and watch the surreal press conference between Trump and Putin after their so-called historic summit, where, after recently treating our allies like dog shit, Trump behaves like a sycophantic lapdog to a murderous dictator who wants nothing more than to destroy and subjugate the U.S. of America in retribution for how the U.S. of America destroyed and subjugated his beloved U.S.S.R., I am reminded of how I felt, or better yet, how my fuzzy, nightmarish memories leave me feeling from the surreal and tumultuous times in the U.S. of America during the late-Sixties through the mid-Seventies, you know, the era of national madness beginning with the Tet Offensive through the Watergate break-ins and subsequent hearings to Nixon’s humiliating yet palliative resignation and ending with America’s humiliating yet palliative retreat from South Vietnam.

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Love is the answer?

There’s a rather talkative pigheaded brute of a character in my WIP whose name is Rick, Happy, Henderson. Happy loves to philosophize and pontificate to…at?… his work partner about whatever the latest topic is he’s studying during night school as if he’s now a subject matter expert. He’s not of course and he always manages to maneuver whatever it is he’s rambling on about toward a general diatribe of how the weak with their Rule of Law and “societal norms” have managed to upend the universal natural order of might makes right, which, in the end, as he sees it, limits his ability to pick up chicks.

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The Lullaby Effect of Carter & Lovecraft versus When Nietzsche Wept

I’m only a so-so fan of HP Lovecraft. I guess I’ve read as much of him as I have more out of a sense of allegiance to the horror genre than a sense of loyalty to his literary acuity.

Which is why I was somewhat surprised when I found myself selecting Jonathan L. Howard’s CARTER & LOVECRAFT the other night when cruising my Overdrive app looking for an audiobook fix for which to fall asleep to…

Which, to me, is the primary purpose of audiobooks – literary lullabies.

And most of the audiobooks I listen to do a great job of it.

In fact, they do such a great job of it that most audiobooks I listen to, I don’t finish because each night I always have to go back to the last point in the book I can remember before drifting off to sleep the night before, which is, more often than not, only a minute or two after I started listening.

And the books I do manage to get through before the loan ends I often only remember in sketchy patches…

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Now that I’ve the Time

A couple days ago, I wrote a painfully long post called The Irrepressible Nature of Irony.

I mean, dude*, it is a massive monster of a missive.

I mean, wow.

Anyway, as a mea culpa, of sorts, for torturing you with such interminablely tedious twaddle, I left a footnote that reads:

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The Irrepressible Nature of Irony*

Or, Nothing Is As It Appears To Be

If you were to do a search on my site for the word “irony” — and why would you? — but, if you were to, of the ten results you would receive, the first three would have the word “irony” in their heading, so it’s easy to see why they would be pulled up in the search; but as far as the other seven, it’s been so long since they were written that I have no clue why they were pulled in with the results, except for maybe the eighth one: it’s a post about Radiohead allowing fans to pay whatever they want for their latest release at the time. There’s probably a decent amount of irony to be found in that one.

Anyway, of the first three positively ironic posts pulled in the search, they are:

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Fans of Albert Camus are so absurd

Yeah, so call me absurd…

Anyway, as happens with my other such favorite influential authors — Kafka, Vonnegut, Melville, Hemingway, London, Conrad… (I know, I know. This list is very male and very white… I’m working on that. I promise.) — I, like clockwork, begin jonesin’ for a Camus fix at least once a year.

Right now I’m in the midst of satisfying my most recent Camus craving by plowing through several of my perennial favorites of his — The Stranger, The Plague, and The Fall.

However, yesterday I began reading for the first time a short story collection of his called Exile and the Kingdom, and I’m saddened and a bit embarrassed to report to you that, after three stories in, I really don’t have a clue what’s going on in any of them. They, after the first read, just don’t make any sense to me. Hopefully they will after subsequent reads.

But I gotta tell ya…

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