literature

KNOW THE WARNING SIGNS

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trump-gif-2

You know, in the past, regardless the president in power, it has always pretty much been a constant whine from all the many millions of gun lovers toting their many more millions of guns that their Second Amendment rights are under constant attack by a relentless blizzard of liberal, commie-shaped snowflakes… so their steady stream of bawling blather has always been received by me as nothing more than unintellig-ent/ible, self-flagellating noise.

But now, with our First Amendment rights under a for real attack by Trump and his pack of stooges, it pains me to have to assume that those same Second Amendment Peters who were constantly crying Wolf about losing their rights are now happily standing by, armed and ready, to support and even help facilitate our Wolf-in-Chief achieve his vicious autocratic goals.

Unbelievable.

Seriously.

I never could have believed, and still can’t, that we in the United States of America would ever have to be seriously concerned about seriously losing our First Amendment rights…

But, alas, here we are so very seriously concerned.

So concerned, in fact, that PEN America felt the need to publish an article entitled DEFENDING FREE EXPRESSION: A TOOLKIT FOR WRITERS AND READERS.

If you aren’t familiar with the freedom-defending organization, this is what PEN America is about:

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. We champion the freedom to write, recognizing the power of the word to transform the world. Our mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.

★ ★ ★

Here are some “bullet” points from the toolkit for our intellectual self-defense:

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“Post-apocalyptic fiction has been moved to our current affairs section”

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HEROES OF DYSTOPIA
HEROES OF DYSTOPIA

I wish I were smart enough to be able to claim this post’s eye/brain-catching headline as my own. But, alas, I cannot because I got it from this read-worthy #longread of an article written by John Feffer, a journalist and author who, with his read-worthy article, attempts to (in subtle sublimity) — and in my view does — make the case of why we should purchase his new near-future dystopian novel which spookily mirrors the current dystopic, Trumpian events of today, and who, Feffer, got it, the headline, from a friend on facebook in the form of a viral photo of a sign in front of bookstore in Boston.

A whole lotta fortuitous and fast-moving mechanics behind that headline up there, wouldn’t you agree?

To paraphrase/abuse a popular insurance company commercial from several years past that was trying to get us to fork over the beans for their coverage so we would be covered/prepared for any disastrous potentiality…

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Meet our 2016 National Book Award Winner

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COLSON WHITEHEAD: USA TODAY “2016 AUTHOR OF THE YEAR”

Colson Whitehead was born in 1969, and was raised in Manhattan. After graduating from Harvard College, he started working at the Village Voice, where he wrote reviews of television, books, and music… COLSONWHITEHEAD.COM

2016 NATIONAL BOOK AWARD WINNER

IMAGE COURTESY OF DOUBLEDAY

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Fake News is so Poe-thetic

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I read an Edgar Allan Poe story today entitled The Angel of the Odd.

It’s a fun, fast, Kafka-meets-Twain, easy to forget kind of read.

But what is most memorable to me about the story is that it is entirely set up around the protagonists drunken dismay over what we would call the “fake news” of the day…

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Write What You Know, You Know…

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They say, Write what you know…

And in response I say, Okay…

So when I began in earnest to write stuff for people to read way back in the early Nineties – what a great decade that was – about all I knew about life outside of my personal life which I didn’t and still don’t have the guts yet to truly explore, was all pretty much navy-related.

Hence, the stories I wrote at the time were all pretty much, well… navy-related.

And therein lies the primary challenge I have when it comes to convincing and conniving folks who look a lot like you to read my writing… and now, to support a film based upon my writing: that even though the stories may be navy-related, it doesn’t necessarily mean they are stories just about the navy.

Some of you, many of you, are probably new to this site so understandably there may be a few things about me that you just aren’t aware of:

Like, even though my undergraduate degree is in English – which probably explains my nerd obsession with arranging and amalgamating morphemes into new and creative and interesting ways for you to read stuff, my graduate degree is in a completely unrelated field (well, maybe it’s a little related) of Human Relations – which probably explains my obsession with trying to understand why it is you think and behave the crazy and unpredictable way you do.

To satisfy my morpheme amalgamating obsession, I began to write; to satisfy my relating-to-humans obsession, I took a few years off from my primary career field in the Intelligence Community (oxymoron, I know…) while in the navy, to become a certified Equal Opportunity Advisor, where I spent much of my time providing counseling and training in diversity management.

And it is this relating to humans-related stuff that I would like to think is what my stories, while even though they may be set in a navy-related world, are all really about…

Like, as explored in my novel The Sea Trials of an Unfortunate Sailor, how do our perceptions and stereotypes influence our decisions when confronted with situations like homophobia and harassment and abuse?

 

Or, as explored in the short story and soon to be short film LEAVE, what was the environment really like for that courageous female sailor who took that first assignment to a warship with an all-male crew?

 

While these stories are set on navy ships during the Nineties, it is my belief their underlying themes and messages are relevant even, and especially, today.

Just recently Congress has authorized women to serve in all combat-related duties, not just some of them like back in the Nineties.

Right now there are courageous, pioneering females all throughout the US military – and throughout society in general – who are opening doors that have previously always been closed to them, and setting off on a course that clears the way for many more courageous females to forever follow.

So, yeah, we writers have always been told to Write what you know…

Just as you readers have always been told to Never judge a book by its cover…

Especially mine.
 

Open Books Open Minds…

www.facebook.com/leavethemovie

 
 

A World At War Just Like It Was Yesterday: HAWSER – A Review

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BOOK | FICTION | LITERARY
HAWSER by J Hardy Carroll
RATING: ★ ★ ★ ★

To one who considers some of his favorite literary works to be those about World War II – SLAUGHTERHOUSE FIVE and CATCH 22 being the obvious ones – the war seems to be very present for me, when in fact it is now eighty years in our past. With it now so far removed from us, and with the space filled in by so many countless other wars, it really is quite an accomplishment that author J Hardy Carroll was able to bring the period back to us in such a vivid and entertaining way.

HAWSER, our selection for Volume 3 of the Indie Author Book Selection & Review (IABS&R), is a finely weaved, fascinating tale of Hawser (don’t bother asking him his real name) as he recounts his time as a B-17 bombardier during the Allies’s bombing campaign against the Germans.

We meet Hawser in a prisoner of war camp and it is from there he recounts for us all that has happened to him in the war before that point. We learn how he washed out as a pilot to become a bombardier, how he had to abandon his unit because of a murder, how he was abandoned as a child, how he met his arch nemesis, how he became trained in subversive warfare, how he became an expert bombardier, how he became burnt out and disillusioned by the war, and finally, how he tragically became a Nazi prisoner. From there we pick things back up from the present time in the story and we go along with him until the book’s conclusion.

Within that very rough sketch that I just laid out of the novel, there are so many – too many some may argue – different plot twists and sub plots filled with suspense and murder and love and passion and discovery and deceit along the way that several times throughout the course of my reading the book I had to stop to marvel at Carroll’s ability to manage it all so seamlessly and with such intrigue, all the while bringing out some of the larger and more poignant lessons learned from the war: mainly of the incalculable death and psychological and material devastation that the war wrought across the entire globe, as well as teaching us – or reminding us – that war isn’t always honorable and that not all people go to war to be heroes…some go to war simply because they want to kill.

And I was equally impressed with all the military and war jargon with which Carroll was able to flavor the story. It it his description of the B-17s and all their guns and ammunition and flight formations, and his knowledge of England during the war and its pastoral settings and its pubs and its quirky dialects that truly bring the story to life. Now I don’t know how much research Carroll had to do – my guess is a lot – and I don’t know how much of the detail he writes in the story is accurate – my guess is all of it – but I don’t really care. I don’t care because it all seems so real and so accurate that it significantly enhanced the story’s ability to pull me into that zen-like space of blissful verisimilitude.

In the end, the only flaws to be found with the book are in its ambition and achievement. At times the sub plots pull back the tempo of the story and I never really felt that there was that one thing, that one element of the story that had enough heft to bring an immediacy, an urgency of discovery, from the beginning to the end of the tale. But I see that more as a good problem for an Indie Author to have, as it is always better to have too much material to work with than not enough.

So I say congratulations and thank you to J Hardy Carroll for writing such a powerful story that both entertains and reminds us just how much effort and expense throughout history we silly humans have invested in our seemingly never ending quest to kill and conquer each other.

Hawser

jhardycarroll.com

 

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RATING SYSTEM:
★ = UNREADABLE
★ ★ = POOR READ
★ ★ ★ = AVERAGE READ
★ ★ ★ ★ = OUTSTANDING READ
★ ★ ★ ★ ★ = EXCEPTIONAL READ

 
 

A Poetic Response to our Occult Relationship with the Vegetable as found in “Nature” by Ralph Waldo Emerson

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The greatest delight which the fields and woods minister, is the suggestion of an occult relation between man and the vegetable. I am not alone and unacknowledged. They nod to me, and I to them. The waving of the boughs in the storm, is new to me and old. It takes me by surprise, and yet is not unknown. Its effect is like that of a higher thought or a better emotion coming over me, when I deemed I was thinking justly or doing right. – Ralph Waldo Emerson

Give me the Forest

give me the forest
the whispers
the wind

where only the keening call of the morrow
dare break the sacred calm of the sylvan now

the ritual of the soaring hum

give me the forest
the neglected
the free

where there are no rules
but the rooting scrawls of the cloven beast
unearthing pagan creeds
blasphemous guides to the dark
to the place where all the fears are found

all the magic

give me the forest
the sanctified
the holy

where the haunted howls of midnight
call to worship
to prayer
all the pious and profane

all the naked unbelievers who mock the baptismal of the moon

give me the forest
the ancient
the eternal

where the tattered persona is stripped away
ripped away and hung from the treetops
desperate semaphore signals for the dire

the damned

where the anima dances on fresh laid graves
sodden with tears of the holy

the helpless

A Meditation on an Introduction’s Second Paragraph as found in “Nature” by Ralph Waldo Emerson

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Having moved slow and steady through two readings of Nature, with nightly accompaniments of Librivox audio readings that would lull me away to sleep with visions of all the vast universal wonderments dancing in my head, it is now time to sift through my sporadic notes and swirling thoughts to try to make use of what I have come across, as I look to somehow apply to my life all that which Emerson teaches with his complexly simple essays as found in Nature.

However, as I consider such intellectual derring-do, I find myself drawn back to one of the first opportunities for learning the work provides me; one found in a most bold and faith-requiring passage from the introduction:

Undoubtedly we have no questions to ask which are unanswerable. We must trust the perfection of the creation so far as to believe that whatever curiosity the order of things has awakened in our minds, the order of things can satisfy.

What a wonder of a statement – Undoubtedly we have no questions to ask which are unanswerable.

What a brave, perhaps reckless even, proclamation – We must trust the perfection of creation…

Must we?

Do you believe that?

Undoubtedly – without any doubt?

Do I believe that?

As wonderful and bold as this passage may be, alas can it possibly be true?

Can it be possible that the order of things can satisfy completely my curiosity? Can this perfection answer all my questions, from those of the most simple and mundane to those of the most metaphysically profound?

And even if it can be possible, will it?

Only time will tell, I suppose.

Until then, for answers to all my seemingly unanswerable questions, I rely upon the only thing the perfection of creation presently allows me…

And that is my less than perfect Faith.